Live Musical Accompaniment as a Resource in Dramaturgical Composition
When, in a show with mime technique, the musical accompaniment is evidenced in such a way that it denotes both its quality of scenic event and its enunciative properties, the doors remain open to envision the gears of staging, which appears as playful area of technical and rhetorical operations, all...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11206 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11206_oai |
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I28-R145-11206_oai2023-08-08 Colasessano, Mario 2022-05-19 When, in a show with mime technique, the musical accompaniment is evidenced in such a way that it denotes both its quality of scenic event and its enunciative properties, the doors remain open to envision the gears of staging, which appears as playful area of technical and rhetorical operations, allowing its disciplinary strategies to be observed in perspective. So, it's not just the content of the musical discourse that can be significant, but also the concretization of its enunciation situation; especially, if the instrumental routine and the mime performance are involved with one another. Within the framework of such presuppositions, this analysis of the musicalizing action becomes an excuse to reflect on a kind of dramaturgical thought that bases its meaning construction on a meta-theatrical game, promoting an approach to the fruition of the show that formal –rather than plot-related– expectations arise. Cuando en un espectáculo con técnica de mimo, el acompañamiento musical es puesto en evidencia tal que denota tanto su cualidad de acontecimiento escénico cuanto sus propiedades enunciativas, quedan las puertas abiertas para recorrer los demás engranajes que exhibe la escenificación desde un lugar que, además de lúdico, se expresa como zona de operaciones técnicas y retóricas permitiendo que sus estrategias disciplinares puedan ser observadas en perspectiva. Entonces, no sólo puede ser pregnante el contenido del enunciado musical sino también la concretización de su situación de enunciación, especialmente, si la rutina instrumental se involucra con la de la performance de mimo. En el marco de tales presupuestos este análisis acerca de la acción de musicalizar se convierte en excusa para reflexionar sobre un pensamiento dramatúrgico cuyo sentido se construye desde el juego metateatral, promoviendo que de la fruición del espectáculo surja una expectativa de orden más formal que argumental. application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11206 10.34096/tdf.n35.11206 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11206/10508 Derechos de autor 2022 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 musicalization enunciation mime instrumental theatre dramaturgy Vuelos Vitale musicalización mimo Vuelos Vitale enunciación teatro instrumental dramaturgia Live Musical Accompaniment as a Resource in Dramaturgical Composition Acompañamiento musical 'en vivo' como recurso en la composición dramatúrgica info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11206_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
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spa |
| topic |
musicalization enunciation mime instrumental theatre dramaturgy Vuelos Vitale musicalización mimo Vuelos Vitale enunciación teatro instrumental dramaturgia |
| spellingShingle |
musicalization enunciation mime instrumental theatre dramaturgy Vuelos Vitale musicalización mimo Vuelos Vitale enunciación teatro instrumental dramaturgia Colasessano, Mario Live Musical Accompaniment as a Resource in Dramaturgical Composition |
| topic_facet |
musicalization enunciation mime instrumental theatre dramaturgy Vuelos Vitale musicalización mimo Vuelos Vitale enunciación teatro instrumental dramaturgia |
| description |
When, in a show with mime technique, the musical accompaniment is evidenced in such a way that it denotes both its quality of scenic event and its enunciative properties, the doors remain open to envision the gears of staging, which appears as playful area of technical and rhetorical operations, allowing its disciplinary strategies to be observed in perspective. So, it's not just the content of the musical discourse that can be significant, but also the concretization of its enunciation situation; especially, if the instrumental routine and the mime performance are involved with one another. Within the framework of such presuppositions, this analysis of the musicalizing action becomes an excuse to reflect on a kind of dramaturgical thought that bases its meaning construction on a meta-theatrical game, promoting an approach to the fruition of the show that formal –rather than plot-related– expectations arise. |
| format |
Artículo publishedVersion |
| author |
Colasessano, Mario |
| author_facet |
Colasessano, Mario |
| author_sort |
Colasessano, Mario |
| title |
Live Musical Accompaniment as a Resource in Dramaturgical Composition |
| title_short |
Live Musical Accompaniment as a Resource in Dramaturgical Composition |
| title_full |
Live Musical Accompaniment as a Resource in Dramaturgical Composition |
| title_fullStr |
Live Musical Accompaniment as a Resource in Dramaturgical Composition |
| title_full_unstemmed |
Live Musical Accompaniment as a Resource in Dramaturgical Composition |
| title_sort |
live musical accompaniment as a resource in dramaturgical composition |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11206 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11206_oai |
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