Salsa Music: Identity, Dance and Demand: entre baile y reclamo

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The approach to social and political singing is generally limited to the created stereotype of singer-songwriters accompanied by a guitar, so common in Spain, the United States and, above all, in Latin America. For this reason, the present work approaches the power of singing as a discourse present...

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Autor principal: Guevara, Nicolás
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
Materias:
salsa
canto
justicia
identidad
cantoria
justiça
identidade
Salsa music
singing
justice
identity
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11055
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=11055_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-11055_oai
record_format dspace
spelling I28-R145-11055_oai2025-11-17 Guevara, Nicolás 2023-02-24 The approach to social and political singing is generally limited to the created stereotype of singer-songwriters accompanied by a guitar, so common in Spain, the United States and, above all, in Latin America. For this reason, the present work approaches the power of singing as a discourse present in the most varied musical genres; likewise, it gives an account of the sociopolitical singing in the development of salsa music, even with orchestras that covered songs by Latin American singer-songwriters. In addition, it explores the demonstrations against the injustices present in the Cuban genres that served as antecedents of salsa and, finally, highlights the two most significant composers of this particular music of the 70s: Catalino “Tite” Curet Alonso and Rubén. Blades. El abordaje del canto social y político generalmente se limita al estereotipo creado de cantautores acompañados de una guitara, tan común en España, Estados Unidos y, sobre todo, en América Latina. Por ello, el presente trabajo se aproxima al poder del canto como discurso presente en los más variados géneros musicales y da cuenta del canto sociopolítico en el desarrollo de la salsa, incluso, con orquestas que versionaron canciones de cantautores latinoamericanos. Asimismo, explora las manifestaciones ante las injusticias presentes en los géneros cubanos que sirvieron de antecedentes de la salsa y pone de relieve a los dos compositores más significativos de esta vertiente salsera de los años 70: Catalino “Tite” Curet Alonso y Rubén Blades. A abordagem do canto social e político é geralmente limitada ao estereótipo criado de cantores-compositores acompanhados por um violão, tão comum na Espanha, nos Estados Unidos e, sobretudo, na América Latina. Por isso, o presente trabalho aborda a potência do canto como discurso presente nos mais variados gêneros musicais; da mesma forma, dá conta do canto sociopolítico no desenvolvimento da salsa, mesmo com orquestras que faziam covers de cantores e compositores latino-americanos; além disso, explora as manifestações contra as injustiças presentes nos gêneros cubanos que serviram de antecedentes da salsa e, por fim, destaca os dois compositores mais significativos desse lado da salsa dos anos 70: Catalino “Tite” Curet Alonso e Rubén Blades. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11055 10.34096/oidopensante.v11n1.11055 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11055/11249 Derechos de autor 2023 El oído pensante El oído pensante; Vol. 11 No. 1 (2023): Marzo 2023 - Septiembre 2023 El oído pensante; Vol. 11 Núm. 1 (2023): Marzo 2023 - Septiembre 2023 El oído pensante; v. 11 n. 1 (2023): Marzo 2023 - Septiembre 2023 2250-7116 salsa canto justicia identidad salsa cantoria justiça identidade Salsa music singing justice identity Salsa Music: Identity, Dance and Demand: entre baile y reclamo La salsa: identidad, baile y reclamo: entre baile y reclamo A salsa: identidade, dança e demanda: entre baile y reclamo info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=11055_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic salsa
canto
justicia
identidad
salsa
cantoria
justiça
identidade
Salsa music
singing
justice
identity
spellingShingle salsa
canto
justicia
identidad
salsa
cantoria
justiça
identidade
Salsa music
singing
justice
identity
Guevara, Nicolás
Salsa Music: Identity, Dance and Demand: entre baile y reclamo
topic_facet salsa
canto
justicia
identidad
salsa
cantoria
justiça
identidade
Salsa music
singing
justice
identity
description The approach to social and political singing is generally limited to the created stereotype of singer-songwriters accompanied by a guitar, so common in Spain, the United States and, above all, in Latin America. For this reason, the present work approaches the power of singing as a discourse present in the most varied musical genres; likewise, it gives an account of the sociopolitical singing in the development of salsa music, even with orchestras that covered songs by Latin American singer-songwriters. In addition, it explores the demonstrations against the injustices present in the Cuban genres that served as antecedents of salsa and, finally, highlights the two most significant composers of this particular music of the 70s: Catalino “Tite” Curet Alonso and Rubén. Blades.
format Artículo
publishedVersion
author Guevara, Nicolás
author_facet Guevara, Nicolás
author_sort Guevara, Nicolás
title Salsa Music: Identity, Dance and Demand: entre baile y reclamo
title_short Salsa Music: Identity, Dance and Demand: entre baile y reclamo
title_full Salsa Music: Identity, Dance and Demand: entre baile y reclamo
title_fullStr Salsa Music: Identity, Dance and Demand: entre baile y reclamo
title_full_unstemmed Salsa Music: Identity, Dance and Demand: entre baile y reclamo
title_sort salsa music: identity, dance and demand: entre baile y reclamo
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11055
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=11055_oai
work_keys_str_mv AT guevaranicolas salsamusicidentitydanceanddemandentrebaileyreclamo
AT guevaranicolas lasalsaidentidadbaileyreclamoentrebaileyreclamo
AT guevaranicolas asalsaidentidadedancaedemandaentrebaileyreclamo
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