The reissue and reappropriation of Las veladas de la quinta, and liberal journalism in 19th century Mexico

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This article proposes reedition as a key to the comprehension for the permanence of 18th sensibility aesthetic, while french feuilleton became the new hegemonic style in Mexican press. Les veillées du château (Tales of the castle…) by Madame de Genlis was first published in 1784, and becaus...

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Autor principal: Ozuna Castañeda, Mariana
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) 2021
Materias:
Genlis
reading
edition
19th
Mexico
lectura
edición
siglo XIX
México
leitura
edição
s. 19
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/zama/article/view/10810
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=10810_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-10810_oai
record_format dspace
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Genlis
reading
edition
19th
Mexico
Genlis
lectura
edición
siglo XIX
México
Genlis
leitura
edição
s. 19
Mexico
spellingShingle Genlis
reading
edition
19th
Mexico
Genlis
lectura
edición
siglo XIX
México
Genlis
leitura
edição
s. 19
Mexico
Ozuna Castañeda, Mariana
The reissue and reappropriation of Las veladas de la quinta, and liberal journalism in 19th century Mexico
topic_facet Genlis
reading
edition
19th
Mexico
Genlis
lectura
edición
siglo XIX
México
Genlis
leitura
edição
s. 19
Mexico
description This article proposes reedition as a key to the comprehension for the permanence of 18th sensibility aesthetic, while french feuilleton became the new hegemonic style in Mexican press. Les veillées du château (Tales of the castle…) by Madame de Genlis was first published in 1784, and because of its style and fame of the author as an educator, rapidly the novel turned into a bestseller, therefore it was translated to English and Spanish. The article proposes this novel reeditions of the Spanish translation in Mexico were possible. because it was appropriated by the modern political project in Mexico, where women were expected to become espouses and educators. On the other hand, the romantic style penetrated Mexican audiences through two main newspapers: El Siglo Diez y Nueve and El Monitor Republicano. Sue, Balzac, Hugo and overall Dumas were translated and read, therefore turned models for the new aesthetic, where crime and immoral passions were exhibited. The permanence of the novel by Madame de Genlis shows parallel printing and reading practices: pedagogical, private, as part of rising moral citizenship at home; for entertainment, and as part of a wide contemporary audience. Both different aspects of modernity in Mexican 19th printing and reading practices.
format Artículo
publishedVersion
author Ozuna Castañeda, Mariana
author_facet Ozuna Castañeda, Mariana
author_sort Ozuna Castañeda, Mariana
title The reissue and reappropriation of Las veladas de la quinta, and liberal journalism in 19th century Mexico
title_short The reissue and reappropriation of Las veladas de la quinta, and liberal journalism in 19th century Mexico
title_full The reissue and reappropriation of Las veladas de la quinta, and liberal journalism in 19th century Mexico
title_fullStr The reissue and reappropriation of Las veladas de la quinta, and liberal journalism in 19th century Mexico
title_full_unstemmed The reissue and reappropriation of Las veladas de la quinta, and liberal journalism in 19th century Mexico
title_sort reissue and reappropriation of las veladas de la quinta, and liberal journalism in 19th century mexico
publisher Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
publishDate 2021
url http://revistascientificas.filo.uba.ar/index.php/zama/article/view/10810
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=10810_oai
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spelling I28-R145-10810_oai2023-03-13 Ozuna Castañeda, Mariana 2021-11-30 This article proposes reedition as a key to the comprehension for the permanence of 18th sensibility aesthetic, while french feuilleton became the new hegemonic style in Mexican press. Les veillées du château (Tales of the castle…) by Madame de Genlis was first published in 1784, and because of its style and fame of the author as an educator, rapidly the novel turned into a bestseller, therefore it was translated to English and Spanish. The article proposes this novel reeditions of the Spanish translation in Mexico were possible. because it was appropriated by the modern political project in Mexico, where women were expected to become espouses and educators. On the other hand, the romantic style penetrated Mexican audiences through two main newspapers: El Siglo Diez y Nueve and El Monitor Republicano. Sue, Balzac, Hugo and overall Dumas were translated and read, therefore turned models for the new aesthetic, where crime and immoral passions were exhibited. The permanence of the novel by Madame de Genlis shows parallel printing and reading practices: pedagogical, private, as part of rising moral citizenship at home; for entertainment, and as part of a wide contemporary audience. Both different aspects of modernity in Mexican 19th printing and reading practices. Este artículo propone la reedición como clave para comprender la permanencia de la estética de la sensibilidad dieciochesca, al mismo tiempo que el folletín francés se convirtió en el modelo de estilo literario en la prensa mexicana del siglo XIX. Les veillées du château (Las veladas de la quinta) de Madame de Genlis fue publicada en 1784, y gracias a su estilo y a la fama de la autora como educadora, rápidamente la obra se volvió bestseller, por ello se tradujo al inglés y al español. Propongo que las reediciones de la traducción al español de la novela fueron posibles debido a que esta fue incluida como parte del proyecto moderno para México, en el cual las mujeres debían ser esposas y educadoras. Por otra parte, el estilo romántico se instaló en el público mexicano por medio de dos periódicos importantes: El Siglo Diez y Nueve y El Monitor Republicano. Sue, Balzac, Hugo y sobre todo Dumas fueron traducidos y leídos, y se convirtieron en modelos de la nueva estética, en la cual se exhibían el crimen y las pasiones inmorales. La permanencia de la novela escrita por Madame de Genlis evidencia una práctica paralela de edición y de lectura: una pedagógica, privada y para educar una moral ciudadana en los hogares; otra de entretenimiento y para formar parte de la contemporaneidad. Ambas son diferentes aspectos de la modernidad en las prácticas de edición y de lectura del México del siglo XIX. Este artigo propõe a reedição como uma chave para compreender a permanência da estética da sensibilidade do século XVIII, ao mesmo tempo em que o serial francês se tornou o modelo do estilo literário na imprensa mexicana do século XIX. Les veillées du château (As Noites da Quinta) de Madame de Genlis foi publicado em 1784 e, graças ao seu estilo e à fama da autora como educadora, a obra rapidamente se tornou um bestseller, razão pela qual foi traduzida para o inglês e o espanhol . Proponho que a reedição da tradução espanhola do romance foi possível, porque foi incluída como parte do projeto moderno para o México, em que as mulheres seriam esposas e educadoras. Por outro lado, o estilo romântico se instalou no público mexicano por meio de dois importantes jornais: El Siglo Diez y Nueve e El Monitor Republicano. Sue, Balzac, Hugo e especialmente Dumas foram traduzidos e lidos, e se tornaram modelos da nova estética, na qual o crime e as paixões imorais eram exibidos. A permanência do romance escrito pela Madame de Genlis evidencia uma prática paralela de edição e leitura: uma prática pedagógica, privada e de educar uma moral cívica nos lares; outra de diversão e de fazer parte da contemporaneidade. Ambos são aspectos diferentes da modernidade nas práticas de publicação e leitura do México do século XIX. Palavras chave: Genlis, leitura, edição, século XIX, México. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/zama/article/view/10810 10.34096/zama.a13.n13.10810 spa Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) http://revistascientificas.filo.uba.ar/index.php/zama/article/view/10810/9587 http://revistascientificas.filo.uba.ar/index.php/zama/article/view/10810/9613 Zama. Revista del Instituto de Literatura Hispanoamericana; Vol 13 No 13 (2021); 169-181 Zama. Revista del Instituto de Literatura Hispanoamericana; Vol. 13 Núm. 13 (2021); 169-181 Zama. Revista del Instituto de Literatura Hispanoamericana; v. 13 n. 13 (2021); 169-181 2422-6017 1851-6866 Genlis reading edition 19th Mexico Genlis lectura edición siglo XIX México Genlis leitura edição s. 19 Mexico The reissue and reappropriation of Las veladas de la quinta, and liberal journalism in 19th century Mexico La reedición y la reapropiación de Las veladas de la quinta, y el periodismo liberal del México del siglo XIX A reedição e reapropriação de Las veladas de la quinta, e o jornalismo liberal no México do século 19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=10810_oai

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