Press, gaucho poetry and others. The dispute for the people in some gazettes of Luis Pérez
Luis Pérez’s work puts into play a way of fictionalizing the commoner sectors that introduces a novelty and a particularity in the Rio de la Plata region around 1830. In turn, differentiating itself from the enlightened currents of the time, it gives a place diverse to women within the fabric of the...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/zama/article/view/10803 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=10803_oai |
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| Sumario: | Luis Pérez’s work puts into play a way of fictionalizing the commoner sectors that introduces a novelty and a particularity in the Rio de la Plata region around 1830. In turn, differentiating itself from the enlightened currents of the time, it gives a place diverse to women within the fabric of the political community. In this way, Pérez’s gazetteer and gaucho work leaves a mark on the literature of the region, making the common people (female and male) a leading subject in the framework of the fictional sovereign people proposed in his prints. This, which is expressed as a formal variety and a diversity of voices, far from constituting a fault in terms of the gaucho realization of his work, is a plus that, seen in retrospect, operates as a brand and irruption, and a way of intervening in public space and its aesthetic and political disputes. |
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