The Spirit of the Samba School in the Hall of National Radio of Rio de Janeiro
This paper studies the senses of samba “Fechou o paletó” (Zé Kéti) in the movie Rio Zona Norte (1957), directed by Nelson Pereira dos Santos. It analyzes the musical elements of its presentation, highlighting the characteristic harmony of conjuntos regionais. It interprets the narrative elements tha...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10740 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=10740_oai |
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I28-R145-10740_oai2022-12-27 García , Walter 2021-10-01 This paper studies the senses of samba “Fechou o paletó” (Zé Kéti) in the movie Rio Zona Norte (1957), directed by Nelson Pereira dos Santos. It analyzes the musical elements of its presentation, highlighting the characteristic harmony of conjuntos regionais. It interprets the narrative elements that make up “the soul” of the song, a complex experience formed in the relationship between malandragem and delinquency, employment and casual job. Finally, it discusses the frustrated meeting between Espírito da Luz Soares, a black man, samba composer who lives in the favela, and the singer Ângela Maria, a great artist of National Radio of Rio de Janeiro. Este ensaio estuda os sentidos do samba “Fechou o paletó” (Zé Kéti) no filme Rio Zona Norte, de Nelson Pereira dos Santos, de 1957. Analisam-se os elementos musicais da sua apresentação, com destaque para a harmonia característica dos conjuntos regionais. Interpretam-se os elementos da narrativa que compõem “a alma” da canção, uma experiência complexa formada no trânsito entre malandragem e delinquência, trabalho formal e trabalho informal. E discute-se o encontro frustrado entre Espírito da Luz Soares, um sambista negro morador do morro, e a cantora Ângela Maria, grande nome da Rádio Nacional do Rio de Janeiro. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10740 10.34096/interlitteras.n3.10740 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10740/9462 http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10740/9480 Inter Litteras; Núm. 3 (2021); 33-49 2683-9695 0328-8935 brazilian popular music brazilian cinema samba contemporary brazilian society música popular brasileira cinema brasileiro samba sociedade brasileira conteporânea The Spirit of the Samba School in the Hall of National Radio of Rio de Janeiro O Espírito da Escola de Samba nos corredores da Rádio Nacional info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=10740_oai |
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Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
brazilian popular music brazilian cinema samba contemporary brazilian society música popular brasileira cinema brasileiro samba sociedade brasileira conteporânea |
| spellingShingle |
brazilian popular music brazilian cinema samba contemporary brazilian society música popular brasileira cinema brasileiro samba sociedade brasileira conteporânea García , Walter The Spirit of the Samba School in the Hall of National Radio of Rio de Janeiro |
| topic_facet |
brazilian popular music brazilian cinema samba contemporary brazilian society música popular brasileira cinema brasileiro samba sociedade brasileira conteporânea |
| description |
This paper studies the senses of samba “Fechou o paletó” (Zé Kéti) in the movie Rio Zona Norte (1957), directed by Nelson Pereira dos Santos. It analyzes the musical elements of its presentation, highlighting the characteristic harmony of conjuntos regionais. It interprets the narrative elements that make up “the soul” of the song, a complex experience formed in the relationship between malandragem and delinquency, employment and casual job. Finally, it discusses the frustrated meeting between Espírito da Luz Soares, a black man, samba composer who lives in the favela, and the singer Ângela Maria, a great artist of National Radio of Rio de Janeiro. |
| format |
Artículo publishedVersion |
| author |
García , Walter |
| author_facet |
García , Walter |
| author_sort |
García , Walter |
| title |
The Spirit of the Samba School in the Hall of National Radio of Rio de Janeiro |
| title_short |
The Spirit of the Samba School in the Hall of National Radio of Rio de Janeiro |
| title_full |
The Spirit of the Samba School in the Hall of National Radio of Rio de Janeiro |
| title_fullStr |
The Spirit of the Samba School in the Hall of National Radio of Rio de Janeiro |
| title_full_unstemmed |
The Spirit of the Samba School in the Hall of National Radio of Rio de Janeiro |
| title_sort |
spirit of the samba school in the hall of national radio of rio de janeiro |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/10740 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=10740_oai |
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