The Question of Authenticity in Migrant Music: Displacements and Controversies in the Transnational Space
This article shows the results of qualitative research about migrant music worlds in the Metropolitan Region, Chile. Throughout the analysis of interviews with migrant musicians, we aim to understand how the actors and subjects of migration interpret the movement of music practices from one country...
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| Autores principales: | , , |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/10345 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=10345_oai |
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I28-R145-10345_oai |
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Universidad de Buenos Aires |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
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Español |
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spa |
| topic |
músicas migrantes autenticidad sociología del arte música y territorio música migrante autenticidade sociologia da arte música e território Migrant musics authenticity sociology of art music and territory |
| spellingShingle |
músicas migrantes autenticidad sociología del arte música y territorio música migrante autenticidade sociologia da arte música e território Migrant musics authenticity sociology of art music and territory Facuse Muñoz, Marisol Rivera Volosky, Ignacio Torres Alvarado, Rodrigo The Question of Authenticity in Migrant Music: Displacements and Controversies in the Transnational Space |
| topic_facet |
músicas migrantes autenticidad sociología del arte música y territorio música migrante autenticidade sociologia da arte música e território Migrant musics authenticity sociology of art music and territory |
| description |
This article shows the results of qualitative research about migrant music worlds in the Metropolitan Region, Chile. Throughout the analysis of interviews with migrant musicians, we aim to understand how the actors and subjects of migration interpret the movement of music practices from one country to another, and which values and judgments sustain a specific feeling of loss, trivialization, or frivolization of artistic forms appropriated by the host society. We hypothesize that musicians' perceptions are linked to some idea of authenticity that operates as a principal attribute to evaluate cultural and artistic practices. We will examine how this notion of authenticity will judge migrant music according to a variety of membership types, such as territory, ethnicity, lineage, degree of collective adherence, all of them grounded on an idea of origin as the main substance of cultural identities. |
| format |
Artículo publishedVersion |
| author |
Facuse Muñoz, Marisol Rivera Volosky, Ignacio Torres Alvarado, Rodrigo |
| author_facet |
Facuse Muñoz, Marisol Rivera Volosky, Ignacio Torres Alvarado, Rodrigo |
| author_sort |
Facuse Muñoz, Marisol |
| title |
The Question of Authenticity in Migrant Music: Displacements and Controversies in the Transnational Space |
| title_short |
The Question of Authenticity in Migrant Music: Displacements and Controversies in the Transnational Space |
| title_full |
The Question of Authenticity in Migrant Music: Displacements and Controversies in the Transnational Space |
| title_fullStr |
The Question of Authenticity in Migrant Music: Displacements and Controversies in the Transnational Space |
| title_full_unstemmed |
The Question of Authenticity in Migrant Music: Displacements and Controversies in the Transnational Space |
| title_sort |
question of authenticity in migrant music: displacements and controversies in the transnational space |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/10345 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=10345_oai |
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I28-R145-10345_oai2025-11-17 Facuse Muñoz, Marisol Rivera Volosky, Ignacio Torres Alvarado, Rodrigo 2022-09-22 This article shows the results of qualitative research about migrant music worlds in the Metropolitan Region, Chile. Throughout the analysis of interviews with migrant musicians, we aim to understand how the actors and subjects of migration interpret the movement of music practices from one country to another, and which values and judgments sustain a specific feeling of loss, trivialization, or frivolization of artistic forms appropriated by the host society. We hypothesize that musicians' perceptions are linked to some idea of authenticity that operates as a principal attribute to evaluate cultural and artistic practices. We will examine how this notion of authenticity will judge migrant music according to a variety of membership types, such as territory, ethnicity, lineage, degree of collective adherence, all of them grounded on an idea of origin as the main substance of cultural identities. El presente artículo presenta los resultados de una investigación cualitativa sobre los mundos musicales migrantes en la Región Metropolitana de Chile. A partir de un recorrido por las entrevistas a músicos/as buscamos dilucidar cómo los/as actores, sujetos/as de la migración, interpretan los tránsitos de las prácticas musicales de un país a otro y qué valoraciones sustentan sentimientos como la pérdida, la banalización o la frivolización de las formas artísticas una vez que son apropiadas en la sociedad de acogida. Nuestra hipótesis sostiene que estas percepciones se relacionan con una cierta idea de autenticidad que opera como atributo principal al momento de otorgar un valor a las prácticas artísticas y culturales. Examinaremos cómo esta noción se declina a partir de distintos ejes en relación con pertenencias como el territorio, la etnia, el linaje o el grado de adhesión colectiva que suscitan en los distintos contextos, fundamentadas en una idea del origen como sustrato de las identidades culturales. O presente artigo apresenta os resultados de uma pesquisa qualitativa sobre os mundos musicais de grupos de migrantes residentes na Região Metropolitana do Chile. A partir de entrevistas com músicos migrantes, procuramos elucidar como as/os atrizes/atores, sujeitos/as da migração, interpretam os caminhos das práticas musicais de um país a outro; quais valorações sustentam sentimentos como a perda, banalização ou frivolização das formas artísticas depois que são apropriadas pela sociedade de acolhimento. Nossa hipótese sustenta que essas percepções estão relacionadas a uma certa ideia de autenticidade que opera como o principal atributo na valorização das práticas artísticas e culturais. Examinaremos como essa noção é declinada a partir de diferentes eixos de pertencimento tais como o território, a etnia, a linhagem ou o grau de adesão coletiva que despertam em diferentes contextos, a partir de uma ideia de origem como substrato de identidades culturais. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/10345 10.34096/oidopensante.v10n2.10345 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/10345/10627 Derechos de autor 2022 El oído pensante El oído pensante; Vol. 10 No. 2 (2022): Octubre, 2022 - Marzo 2023 El oído pensante; Vol. 10 Núm. 2 (2022): Octubre, 2022 - Marzo 2023 El oído pensante; v. 10 n. 2 (2022): Octubre, 2022 - Marzo 2023 2250-7116 músicas migrantes autenticidad sociología del arte música y territorio música migrante autenticidade sociologia da arte música e território Migrant musics authenticity sociology of art music and territory The Question of Authenticity in Migrant Music: Displacements and Controversies in the Transnational Space La cuestión de la autenticidad en las músicas migrantes: desplazamientos y controversias en el espacio transnacional A questão da autenticidade nas músicas migrantes: deslocamentos e controvésias no espaço transnacional info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=10345_oai |