Castellano: Castellano

The goal of this paper is to explore the images of laughter in the poetic works of Alfonsina Storni and the way they relate both to the construction of a poetic voice in the context of the Argentinian literary system at the beginning of the twentieth century and to the dominant ideas about femininit...

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Autor principal: Rizzo, María Belén
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
Materias:
Poetry - Domesticity - Feminism - Laughter
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/mora/article/view/10261
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=10261_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-10261_oai
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spelling I28-R145-10261_oai2025-11-17 Rizzo, María Belén 2023-08-14 The goal of this paper is to explore the images of laughter in the poetic works of Alfonsina Storni and the way they relate both to the construction of a poetic voice in the context of the Argentinian literary system at the beginning of the twentieth century and to the dominant ideas about femininity in that period. In order to do that, we are going to focus on her poem “La loba”, published in 1916 and on a series of later poems which feature different images of laughter. We are also going to focus on her chronicles, which were collected in the book Un libro Quemado, in order to link Storni´s literary production to her time and, specifically, to what is called “the ideology of domesticity”. El presente trabajo se propone realizar un recorrido por las imágenes de la risa en la poesía de Alfonsina Storni y el modo en que éstas se vinculan con la construcción de una voz poética en el contexto del sistema literario nacional de comienzos de siglo XX y de los idearios dominantes de la feminidad que imperaban en la época. Para ello, nos centraremos en el poema “La loba”, publicado en 1916, y en una serie de poemas posteriores en los cuales se repiten diferentes figuras de la risa. Asimismo, para vincular la producción poética de Storni con su época, especialmente la “ideología de la domesticidad”, recorreremos algunas de sus crónicas, reunidas en Un libro quemado. application/pdf https://revistascientificas.filo.uba.ar/index.php/mora/article/view/10261 10.34096/mora.n29.10261 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/mora/article/view/10261/11936 Derechos de autor 2023 Mora Mora; Vol. 1 Núm. 29 (2023) 1853-001X 0328-8773 Poetry - Domesticity - Feminism - Laughter Castellano: Castellano Ando sola y me río del rebaño: Una aproximaci´ón a la poesía de Alfonsina Storni a través de las imágenes de la risa info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=10261_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Poetry - Domesticity - Feminism - Laughter
spellingShingle Poetry - Domesticity - Feminism - Laughter
Rizzo, María Belén
Castellano: Castellano
topic_facet Poetry - Domesticity - Feminism - Laughter
description The goal of this paper is to explore the images of laughter in the poetic works of Alfonsina Storni and the way they relate both to the construction of a poetic voice in the context of the Argentinian literary system at the beginning of the twentieth century and to the dominant ideas about femininity in that period. In order to do that, we are going to focus on her poem “La loba”, published in 1916 and on a series of later poems which feature different images of laughter. We are also going to focus on her chronicles, which were collected in the book Un libro Quemado, in order to link Storni´s literary production to her time and, specifically, to what is called “the ideology of domesticity”.
format Artículo
publishedVersion
Artículo revisado por pares
author Rizzo, María Belén
author_facet Rizzo, María Belén
author_sort Rizzo, María Belén
title Castellano: Castellano
title_short Castellano: Castellano
title_full Castellano: Castellano
title_fullStr Castellano: Castellano
title_full_unstemmed Castellano: Castellano
title_sort castellano: castellano
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url https://revistascientificas.filo.uba.ar/index.php/mora/article/view/10261
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=10261_oai
work_keys_str_mv AT rizzomariabelen castellanocastellano
AT rizzomariabelen andosolaymeriodelrebanounaaproximacionalapoesiadealfonsinastorniatravesdelasimagenesdelarisa
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