Text on stage: operations in the staging of "GAZ" by Tom Lanoye
The aim of this article is to observe the onstage operations that make "GAZ: Pleidooi van een gedoemde moeder" an unspecific piece, and particularly, in which manner the text operates autonomously and becomes an object of exposition in the representation. "GAZ: Pleidooi van een gedoem...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10251 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10251_oai |
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I28-R145-10251_oai2025-11-17 Cepernic, Catalina Cepernic, Catalina 2021-05-28 The aim of this article is to observe the onstage operations that make "GAZ: Pleidooi van een gedoemde moeder" an unspecific piece, and particularly, in which manner the text operates autonomously and becomes an object of exposition in the representation. "GAZ: Pleidooi van een gedoemde moeder" is a play written by Tom Lanoye, belgian dramatist, and consists of a monologue in which the mother of a man responsible for a terrorist attack carries out a sort of plea in self-defense but also in defense of her son. The play was translated to Spanish by Micaela van Muylem and enacted by Compañía Teatro Magdalena (Santiago de Chile) in 2017. Este artículo tiene como objetivo observar las operaciones en la escena que convierten a "GAS/GAZ Alegato de una madre condenada" en una obra inespecífica y, particularmente, de qué forma el texto opera de manera autónoma y se configura como objeto de exposición en la puesta. "GAS/GAZ" es una obra escrita por Tom Lanoye, dramaturgo belga, y se trata de un monólogo en el que la madre del responsable de un atentado terrorista lleva a cabo una suerte de alegato en defensa tanto propia como de su hijo. La traducción al español de esta obra fue realizada por Micaela van Muylem y llevada a escena por la Compañía Teatro Magdalena (Santiago de Chile) en 2017. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10251 10.34096/tdf.n33.10251 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10251/9141 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10251/9161 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 Lanoye unspecificity GAS/GAZ GAS object of exposition dramatic text postdramatic scene polyglossia Lanoye inespecificidad objeto de exposición texto dramático escena posdramática poliglosia GAS/GAZ Text on stage: operations in the staging of "GAZ" by Tom Lanoye El texto en escena: operaciones en la puesta de "GAS/GAZ" de Tom Lanoye info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10251_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Lanoye unspecificity GAS/GAZ GAS object of exposition dramatic text postdramatic scene polyglossia Lanoye inespecificidad objeto de exposición texto dramático escena posdramática poliglosia GAS/GAZ |
| spellingShingle |
Lanoye unspecificity GAS/GAZ GAS object of exposition dramatic text postdramatic scene polyglossia Lanoye inespecificidad objeto de exposición texto dramático escena posdramática poliglosia GAS/GAZ Cepernic, Catalina Cepernic, Catalina Text on stage: operations in the staging of "GAZ" by Tom Lanoye |
| topic_facet |
Lanoye unspecificity GAS/GAZ GAS object of exposition dramatic text postdramatic scene polyglossia Lanoye inespecificidad objeto de exposición texto dramático escena posdramática poliglosia GAS/GAZ |
| description |
The aim of this article is to observe the onstage operations that make "GAZ: Pleidooi van een gedoemde moeder" an unspecific piece, and particularly, in which manner the text operates autonomously and becomes an object of exposition in the representation. "GAZ: Pleidooi van een gedoemde moeder" is a play written by Tom Lanoye, belgian dramatist, and consists of a monologue in which the mother of a man responsible for a terrorist attack carries out a sort of plea in self-defense but also in defense of her son. The play was translated to Spanish by Micaela van Muylem and enacted by Compañía Teatro Magdalena (Santiago de Chile) in 2017. |
| format |
Artículo publishedVersion |
| author |
Cepernic, Catalina Cepernic, Catalina |
| author_facet |
Cepernic, Catalina Cepernic, Catalina |
| author_sort |
Cepernic, Catalina |
| title |
Text on stage: operations in the staging of "GAZ" by Tom Lanoye |
| title_short |
Text on stage: operations in the staging of "GAZ" by Tom Lanoye |
| title_full |
Text on stage: operations in the staging of "GAZ" by Tom Lanoye |
| title_fullStr |
Text on stage: operations in the staging of "GAZ" by Tom Lanoye |
| title_full_unstemmed |
Text on stage: operations in the staging of "GAZ" by Tom Lanoye |
| title_sort |
text on stage: operations in the staging of "gaz" by tom lanoye |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10251 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10251_oai |
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AT ceperniccatalina textonstageoperationsinthestagingofgazbytomlanoye AT ceperniccatalina textonstageoperationsinthestagingofgazbytomlanoye AT ceperniccatalina eltextoenescenaoperacionesenlapuestadegasgazdetomlanoye AT ceperniccatalina eltextoenescenaoperacionesenlapuestadegasgazdetomlanoye |
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