Between Art and Militancy. Martín Marcou’s "Evita Trans"
In this study we propose to address the dynamics of the figure of Eva Duarte de Perón based on the performance of Martín Marcou and his group Teatro Crudo, Evita trans (2012), which intervened in two dissimilar spaces such as the Devoto prison and the Eladia Blázquez Cultural Center. We will underst...
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| Autores principales: | , |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10235 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10235_oai |
| Aporte de: |
| Sumario: | In this study we propose to address the dynamics of the figure of Eva Duarte de Perón based on the performance of Martín Marcou and his group Teatro Crudo, Evita trans (2012), which intervened in two dissimilar spaces such as the Devoto prison and the Eladia Blázquez Cultural Center. We will understand how these artistic practices are located within the definition of the liminal and resort to multiple imaginaries. For this, we will use various paratexts, interviews with some of the participants in the experience, as well as photographs and reconstructions of the performance made by the playwright himself. |
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