Between Art and Militancy. Martín Marcou’s "Evita Trans"

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In this study we propose to address the dynamics of the figure of Eva Duarte de Perón based on the performance of Martín Marcou and his group Teatro Crudo, Evita trans (2012), which intervened in two dissimilar spaces such as the Devoto prison and the Eladia Blázquez Cultural Center. We will underst...

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Autores principales: Aschieri , Patricia, Trombetta , Jimena Cecilia
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
Materias:
Performance
Trans
Imaginaries
Liminal
Peronism
Imaginarios
Peronismo
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10235
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10235_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-10235_oai
record_format dspace
spelling I28-R145-10235_oai2025-11-17 Aschieri , Patricia Trombetta , Jimena Cecilia Aschieri , Patricia Trombetta , Jimena Cecilia 2021-05-22 In this study we propose to address the dynamics of the figure of Eva Duarte de Perón based on the performance of Martín Marcou and his group Teatro Crudo, Evita trans (2012), which intervened in two dissimilar spaces such as the Devoto prison and the Eladia Blázquez Cultural Center. We will understand how these artistic practices are located within the definition of the liminal and resort to multiple imaginaries. For this, we will use various paratexts, interviews with some of the participants in the experience, as well as photographs and reconstructions of the performance made by the playwright himself. En este trabajo nos proponemos abordar la dinámica de la figura de Eva Duarte de Perón desde la performance de Martín Marcou y su grupo Teatro Crudo, Evita trans (2012) que intervino dos espacios disímiles tales como el penal de Devoto por un lado y el Centro Cultural Eladia Blázquez. Comprenderemos cómo estas prácticas artísticas se ubican dentro de la definición de lo liminal y recurren a múltiples imaginarios. Para ello, utilizaremos diversos paratextos, entrevistas que les realizamos a algunos de los participantes de la experiencia, así como fotografías y reconstrucciones de la performance realizadas por el  propio dramaturgo de la obra.   application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10235 10.34096/tdf.n33.10235 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10235/9147 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10235/9165 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 Performance Trans Imaginaries Liminal Peronism Imaginarios Performance Liminal Trans Peronismo Between Art and Militancy. Martín Marcou’s "Evita Trans" Entre el arte y la militancia. "Evita Trans" de Martín Marcou info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10235_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Performance
Trans
Imaginaries
Liminal
Peronism
Imaginarios
Performance
Liminal
Trans
Peronismo
spellingShingle Performance
Trans
Imaginaries
Liminal
Peronism
Imaginarios
Performance
Liminal
Trans
Peronismo
Aschieri , Patricia
Trombetta , Jimena Cecilia
Aschieri , Patricia
Trombetta , Jimena Cecilia
Between Art and Militancy. Martín Marcou’s "Evita Trans"
topic_facet Performance
Trans
Imaginaries
Liminal
Peronism
Imaginarios
Performance
Liminal
Trans
Peronismo
description In this study we propose to address the dynamics of the figure of Eva Duarte de Perón based on the performance of Martín Marcou and his group Teatro Crudo, Evita trans (2012), which intervened in two dissimilar spaces such as the Devoto prison and the Eladia Blázquez Cultural Center. We will understand how these artistic practices are located within the definition of the liminal and resort to multiple imaginaries. For this, we will use various paratexts, interviews with some of the participants in the experience, as well as photographs and reconstructions of the performance made by the playwright himself.
format Artículo
publishedVersion
author Aschieri , Patricia
Trombetta , Jimena Cecilia
Aschieri , Patricia
Trombetta , Jimena Cecilia
author_facet Aschieri , Patricia
Trombetta , Jimena Cecilia
Aschieri , Patricia
Trombetta , Jimena Cecilia
author_sort Aschieri , Patricia
title Between Art and Militancy. Martín Marcou’s "Evita Trans"
title_short Between Art and Militancy. Martín Marcou’s "Evita Trans"
title_full Between Art and Militancy. Martín Marcou’s "Evita Trans"
title_fullStr Between Art and Militancy. Martín Marcou’s "Evita Trans"
title_full_unstemmed Between Art and Militancy. Martín Marcou’s "Evita Trans"
title_sort between art and militancy. martín marcou’s "evita trans"
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10235
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10235_oai
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