“Amorous Compliments” in three Exemplary Novels by Cervantes

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In the preface to his Exemplary Novels, Cervantes builds an image of himself and proudly claims to be the first novelist. The offering of a “tasty and honest fruit” which may be reaped from each story or from the whole collection is perhaps his most disturbing contention. In this work, we propose as...

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Autor principal: Vijarra, René Aldo
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
Cervantes
novel
woman
emotions
body
novela
mujer
emociones
cuerpo
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10087
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=filologia&d=10087_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-10087_oai
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spelling I28-R145-10087_oai2025-11-17 Vijarra, René Aldo 2020-11-30 In the preface to his Exemplary Novels, Cervantes builds an image of himself and proudly claims to be the first novelist. The offering of a “tasty and honest fruit” which may be reaped from each story or from the whole collection is perhaps his most disturbing contention. In this work, we propose as the fruit of our readings the “amorous compliments” in three of the Novels. Love, as a socialized emotion, moves across a network of relations between subjects, shaping bodies, bodily practices, and affections. Cervantes’ pen gave birth to a series of love disputes in which female bodies are featured as injured bodies, as a result of abuse, deception, and subjection to male power. Cervantes en el Prólogo a sus Novelas ejemplares construye una imagen de sí mismo y sostiene con orgullo que es el primer novelista. Quizás lo más inquietante de sus palabras es el ofrecimiento de un “sabroso y honesto fruto”, que se podría tomar de cada relato o de todos juntos. En este espacio nos proponemos como fruto de la lectura “los requiebros amorosos”, en tres de las Ejemplares. El amor, en tanto emoción socializada, circula en una red de relaciones entre los sujetos modelizando cuerpos, prácticas corporales y afectos. La pluma cervantina parió una serie de disputas amorosas que ponen en escena cuerpos femeninos heridos por el maltrato, el engaño y el sometimiento al poder masculino. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10087 10.34096/filologia.n52.10087 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10087/8853 https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10087/8865 Filología; No. 52 (2020); 51-64 Filología; Núm. 52 (2020); 51-64 2422-6009 0071-495X Cervantes novel woman emotions body Cervantes novela mujer emociones cuerpo “Amorous Compliments” in three Exemplary Novels by Cervantes Los “requiebros amorosos” en tres Novelas ejemplares de Cervantes info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=filologia&d=10087_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Cervantes
novel
woman
emotions
body
Cervantes
novela
mujer
emociones
cuerpo
spellingShingle Cervantes
novel
woman
emotions
body
Cervantes
novela
mujer
emociones
cuerpo
Vijarra, René Aldo
“Amorous Compliments” in three Exemplary Novels by Cervantes
topic_facet Cervantes
novel
woman
emotions
body
Cervantes
novela
mujer
emociones
cuerpo
description In the preface to his Exemplary Novels, Cervantes builds an image of himself and proudly claims to be the first novelist. The offering of a “tasty and honest fruit” which may be reaped from each story or from the whole collection is perhaps his most disturbing contention. In this work, we propose as the fruit of our readings the “amorous compliments” in three of the Novels. Love, as a socialized emotion, moves across a network of relations between subjects, shaping bodies, bodily practices, and affections. Cervantes’ pen gave birth to a series of love disputes in which female bodies are featured as injured bodies, as a result of abuse, deception, and subjection to male power.
format Artículo
publishedVersion
Artículo revisado por pares
author Vijarra, René Aldo
author_facet Vijarra, René Aldo
author_sort Vijarra, René Aldo
title “Amorous Compliments” in three Exemplary Novels by Cervantes
title_short “Amorous Compliments” in three Exemplary Novels by Cervantes
title_full “Amorous Compliments” in three Exemplary Novels by Cervantes
title_fullStr “Amorous Compliments” in three Exemplary Novels by Cervantes
title_full_unstemmed “Amorous Compliments” in three Exemplary Novels by Cervantes
title_sort “amorous compliments” in three exemplary novels by cervantes
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10087
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=filologia&d=10087_oai
work_keys_str_mv AT vijarrarenealdo amorouscomplimentsinthreeexemplarynovelsbycervantes
AT vijarrarenealdo losrequiebrosamorososentresnovelasejemplaresdecervantes
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