The Old King Motif in Cervantes’ Persiles. Some Considerations on Maximino and Other Displaced Powerful Figures

Maximino appears in the final pages of the novel, at the Basilica of St Paul Outside the Walls. This character has received almost no critical attention, perhaps due to the fact that he plays such a small part in the story. Nevertheless, he represents the figure of the “king” at the hardest of times...

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Autor principal: Parodi, Alicia
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
Rey
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10086
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=filologia&d=10086_oai
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spelling I28-R145-10086_oai2025-11-17 Parodi, Alicia 2020-11-30 Maximino appears in the final pages of the novel, at the Basilica of St Paul Outside the Walls. This character has received almost no critical attention, perhaps due to the fact that he plays such a small part in the story. Nevertheless, he represents the figure of the “king” at the hardest of times: the transfer of power. Based on Kantorowicz’s remarkable study, especially regarding the political-theological analogies between the rex-sacerdos and the Corpus Christi-Corpus mysticum, my work interweaves biblical and historical kings cited or evoked throughout the text, to finally address the idea of royalty suggested in the first pages of the novel. Thus, from the end to the beginning, the image of Maximino gains substance, ultimately becoming an allegorical figure. St Paul is the poetic and theological cornerstone of this story centered on artifice. Maximino aparece en las últimas páginas de la novela ante la basílica de San Pablo Extramuros. Ocupa poco espacio. Quizás por eso casi no ha recibido atención por parte de la crítica. Sin embargo, compone la figura del “rey” en su momento más difícil, el traspaso del poder. Apoyado en el magnífico estudio de Kantorowicz, especialmente en las analogías político-teológicas del rex-sacerdos con el Corpus Christi-Corpus mysticum, mi trabajo hilvana reyes bíblicos e históricos, citados o evocados por la novela, hasta llegar a la concepción de realeza propuesta en las primeras páginas. Así, desde el final hasta el principio, la imagen de Maximino toma “cuerpo” hasta convertirse en figura alegórica. San Pablo está en la raíz poética y teológica de esta historia centrada en el artificio. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10086 10.34096/filologia.n52.10086 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10086/8852 https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10086/8864 Filología; No. 52 (2020); 35-49 Filología; Núm. 52 (2020); 35-49 2422-6009 0071-495X King Corpus mysticum history theology allegory Rey Corpus mysticum historia teología alegoría The Old King Motif in Cervantes’ Persiles. Some Considerations on Maximino and Other Displaced Powerful Figures El motivo del rey viejo en el Persiles de Miguel de Cervantes. Algunas observaciones a partir de Maximino y otros poderosos sustituidos info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=filologia&d=10086_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic King
Corpus mysticum
history
theology
allegory
Rey
Corpus mysticum
historia
teología
alegoría
spellingShingle King
Corpus mysticum
history
theology
allegory
Rey
Corpus mysticum
historia
teología
alegoría
Parodi, Alicia
The Old King Motif in Cervantes’ Persiles. Some Considerations on Maximino and Other Displaced Powerful Figures
topic_facet King
Corpus mysticum
history
theology
allegory
Rey
Corpus mysticum
historia
teología
alegoría
description Maximino appears in the final pages of the novel, at the Basilica of St Paul Outside the Walls. This character has received almost no critical attention, perhaps due to the fact that he plays such a small part in the story. Nevertheless, he represents the figure of the “king” at the hardest of times: the transfer of power. Based on Kantorowicz’s remarkable study, especially regarding the political-theological analogies between the rex-sacerdos and the Corpus Christi-Corpus mysticum, my work interweaves biblical and historical kings cited or evoked throughout the text, to finally address the idea of royalty suggested in the first pages of the novel. Thus, from the end to the beginning, the image of Maximino gains substance, ultimately becoming an allegorical figure. St Paul is the poetic and theological cornerstone of this story centered on artifice.
format Artículo
publishedVersion
Artículo revisado por pares
author Parodi, Alicia
author_facet Parodi, Alicia
author_sort Parodi, Alicia
title The Old King Motif in Cervantes’ Persiles. Some Considerations on Maximino and Other Displaced Powerful Figures
title_short The Old King Motif in Cervantes’ Persiles. Some Considerations on Maximino and Other Displaced Powerful Figures
title_full The Old King Motif in Cervantes’ Persiles. Some Considerations on Maximino and Other Displaced Powerful Figures
title_fullStr The Old King Motif in Cervantes’ Persiles. Some Considerations on Maximino and Other Displaced Powerful Figures
title_full_unstemmed The Old King Motif in Cervantes’ Persiles. Some Considerations on Maximino and Other Displaced Powerful Figures
title_sort old king motif in cervantes’ persiles. some considerations on maximino and other displaced powerful figures
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10086
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=filologia&d=10086_oai
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