The Stage as a Space to Listen to the Enemy. Interview with Lola Arias.
The interview covers a variety of themes in the works of Lola Arias, from My life after (2009) to Futureland (2019), such as the use of public and personal archives in theatre, the tension between arts and politics and the relation between experience and history in her plays, as well as her perspect...
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| Autores principales: | , |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10042 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10042_oai |
| Aporte de: |
| Sumario: | The interview covers a variety of themes in the works of Lola Arias, from My life after (2009) to Futureland (2019), such as the use of public and personal archives in theatre, the tension between arts and politics and the relation between experience and history in her plays, as well as her perspective on the theatrical space and on the work with biography and translation. |
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