The Stage as a Space to Listen to the Enemy. Interview with Lola Arias.

Mostrar todas las versiones(2)

The interview covers a variety of themes in the works of Lola Arias, from My life after (2009) to Futureland (2019), such as the use of public and personal archives in theatre, the tension between arts and politics and the relation between experience and history in her plays, as well as her perspect...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autores principales: Kantor, Kantor, Kantor, Débora
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
Materias:
Documentary theatre
Archive
Arts
Politics
History
Theatrical Space
Biography
Translation
Teatro documental
Archivo
Arte
Política
Historia
Espacio teatral
Traducción
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10042
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10042_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-10042_oai
record_format dspace
spelling I28-R145-10042_oai2025-11-17 Kantor, Kantor Kantor, Débora 2021-05-21 The interview covers a variety of themes in the works of Lola Arias, from My life after (2009) to Futureland (2019), such as the use of public and personal archives in theatre, the tension between arts and politics and the relation between experience and history in her plays, as well as her perspective on the theatrical space and on the work with biography and translation.   La entrevista recorre distintos temas transversales a la obra de la dramaturga, escritora y performer Lola Arias, desde Mi vida después (2009) hasta Futureland (2019), como el uso de los archivos públicos y personales, la tensión entre arte y política, la relación entre experiencia e historia, y su perspectiva acerca del espacio teatral, el trabajo con lo biográfico y la traducción.      application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10042 10.34096/tdf.n33.10042 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10042/9145 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10042/9163 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 Documentary theatre Archive Arts Politics History Theatrical Space Biography Translation Teatro documental Archivo Arte Política Historia Espacio teatral Traducción The Stage as a Space to Listen to the Enemy. Interview with Lola Arias. Un espacio donde escuchar al enemigo. Entrevista a Lola Arias. info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10042_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Documentary theatre
Archive
Arts
Politics
History
Theatrical Space
Biography
Translation
Teatro documental
Archivo
Arte
Política
Historia
Espacio teatral
Traducción
spellingShingle Documentary theatre
Archive
Arts
Politics
History
Theatrical Space
Biography
Translation
Teatro documental
Archivo
Arte
Política
Historia
Espacio teatral
Traducción
Kantor, Kantor
Kantor, Débora
The Stage as a Space to Listen to the Enemy. Interview with Lola Arias.
topic_facet Documentary theatre
Archive
Arts
Politics
History
Theatrical Space
Biography
Translation
Teatro documental
Archivo
Arte
Política
Historia
Espacio teatral
Traducción
description The interview covers a variety of themes in the works of Lola Arias, from My life after (2009) to Futureland (2019), such as the use of public and personal archives in theatre, the tension between arts and politics and the relation between experience and history in her plays, as well as her perspective on the theatrical space and on the work with biography and translation.  
format Artículo
publishedVersion
author Kantor, Kantor
Kantor, Débora
author_facet Kantor, Kantor
Kantor, Débora
author_sort Kantor, Kantor
title The Stage as a Space to Listen to the Enemy. Interview with Lola Arias.
title_short The Stage as a Space to Listen to the Enemy. Interview with Lola Arias.
title_full The Stage as a Space to Listen to the Enemy. Interview with Lola Arias.
title_fullStr The Stage as a Space to Listen to the Enemy. Interview with Lola Arias.
title_full_unstemmed The Stage as a Space to Listen to the Enemy. Interview with Lola Arias.
title_sort stage as a space to listen to the enemy. interview with lola arias.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10042
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10042_oai
work_keys_str_mv AT kantorkantor thestageasaspacetolistentotheenemyinterviewwithlolaarias
AT kantordebora thestageasaspacetolistentotheenemyinterviewwithlolaarias
AT kantorkantor unespaciodondeescucharalenemigoentrevistaalolaarias
AT kantordebora unespaciodondeescucharalenemigoentrevistaalolaarias
AT kantorkantor stageasaspacetolistentotheenemyinterviewwithlolaarias
AT kantordebora stageasaspacetolistentotheenemyinterviewwithlolaarias
_version_ 1851376331020828672

Ejemplares similares