The woman in the Ravenan Byzantine mosaics (5th to 7th centuries)

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The musivarian technique, as a decorative and narrative mechanism, was used since Antiquity and Christianity drew extensively on it in order to develop its own propaganda iconographic cycles, transferring it to walls and ceilings, narrating in a thousand different ways the...

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Autor principal: Rigueiro García, Jorge
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
Ravenna
mosaic
woman
Byzantium
Christianity
Ravena
mosaico
mujer
Bizancio
Cristianismo
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/afc/article/view/10018
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=10018_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-10018_oai
record_format dspace
spelling I28-R145-10018_oai2022-12-06 Rigueiro García, Jorge 2020-11-30 The musivarian technique, as a decorative and narrative mechanism, was used since Antiquity and Christianity drew extensively on it in order to develop its own propaganda iconographic cycles, transferring it to walls and ceilings, narrating in a thousand different ways the christian essage in temples and palaces, seizing Roman aesthetic resources and narratives, in such a way that the mosaic greatly surpassed painting between the 4th and 8th centuries. The main object of this article is to analyze the women portrayed or clients in ravenan mosaics between the 5th and 7th centuries, whether they were holy, noble, plebeian, sinful or virtuous.   La técnica musivaria como mecanismo decorativo y narrativo era usada desde la Antigüedad y el Cristianismo abrevó ampliamente en ella con la finalidad de desarrollar ciclos iconográficos propios de propaganda, trasladándola a muros y techos, narrando de mil maneras diversas el mensaje cristiano en templos y palacios, apoderándose de recursos estéticos y narrativos romanos, de manera tal que el mosaico superó largamente a la pintura entre los siglos IV y VIII. El principal objetivo de este artículo es analizar a las mujeres retratadas o comitentes en mosaicos raveneses entre los siglos V y VII, fuesen santas, nobles, plebeyas, pecadoras o virtuosas. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/afc/article/view/10018 10.34096/afc.i33.10018 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/afc/article/view/10018/8774 http://revistascientificas.filo.uba.ar/index.php/afc/article/view/10018/8775 Anales de Filología Clásica; Vol. 2 Núm. 33 (2020): La narración en Bizancio: perspectivas narratológicas sincrónicas y diacrónicas; 87-109 2362-4841 0325-1721 Ravenna mosaic woman Byzantium Christianity Ravena mosaico mujer Bizancio Cristianismo The woman in the Ravenan Byzantine mosaics (5th to 7th centuries) La mujer en los mosaicos bizantinos raveneses (siglos V – VII) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=10018_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Ravenna
mosaic
woman
Byzantium
Christianity
Ravena
mosaico
mujer
Bizancio
Cristianismo
spellingShingle Ravenna
mosaic
woman
Byzantium
Christianity
Ravena
mosaico
mujer
Bizancio
Cristianismo
Rigueiro García, Jorge
The woman in the Ravenan Byzantine mosaics (5th to 7th centuries)
topic_facet Ravenna
mosaic
woman
Byzantium
Christianity
Ravena
mosaico
mujer
Bizancio
Cristianismo
description The musivarian technique, as a decorative and narrative mechanism, was used since Antiquity and Christianity drew extensively on it in order to develop its own propaganda iconographic cycles, transferring it to walls and ceilings, narrating in a thousand different ways the christian essage in temples and palaces, seizing Roman aesthetic resources and narratives, in such a way that the mosaic greatly surpassed painting between the 4th and 8th centuries. The main object of this article is to analyze the women portrayed or clients in ravenan mosaics between the 5th and 7th centuries, whether they were holy, noble, plebeian, sinful or virtuous.  
format Artículo
publishedVersion
Artículo revisado por pares
author Rigueiro García, Jorge
author_facet Rigueiro García, Jorge
author_sort Rigueiro García, Jorge
title The woman in the Ravenan Byzantine mosaics (5th to 7th centuries)
title_short The woman in the Ravenan Byzantine mosaics (5th to 7th centuries)
title_full The woman in the Ravenan Byzantine mosaics (5th to 7th centuries)
title_fullStr The woman in the Ravenan Byzantine mosaics (5th to 7th centuries)
title_full_unstemmed The woman in the Ravenan Byzantine mosaics (5th to 7th centuries)
title_sort woman in the ravenan byzantine mosaics (5th to 7th centuries)
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/afc/article/view/10018
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=10018_oai
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AT rigueirogarciajorge womanintheravenanbyzantinemosaics5thto7thcenturies
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