Forms, Themes, Verbs: Incarnations of Poetry in Los detectives salvajes, by Roberto Bolaño

The work describes and analyzes the intensely corporeal consistency that the presence of poetry charges, in the first part of the novel Los detectives salvajes, by the writer Roberto Bolaño, based on three axes: the staging of the false diary of the young poet García Madero, in which scenes also occ...

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Autor principal: Benavides, Oriele
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2020
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Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9693
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spelling I26-R133-article-96932021-05-05T20:44:22Z Forms, Themes, Verbs: Incarnations of Poetry in Los detectives salvajes, by Roberto Bolaño Formas, temas, verbos: encarnaciones de la poesía en Los detectives salvajes, de Roberto Bolaño Benavides, Oriele diary poetry body Roberto Bolaño Los detectives salvajes diario poesía cuerpo Roberto Bolaño Los detectives salvajes The work describes and analyzes the intensely corporeal consistency that the presence of poetry charges, in the first part of the novel Los detectives salvajes, by the writer Roberto Bolaño, based on three axes: the staging of the false diary of the young poet García Madero, in which scenes also occurring in the poetry that Bolaño wrote for the time are replicated, in a register, on the contrary, vitalized. Second, the subject matter of the poems that he and his realvisceralist colleagues write, and, finally, the effect (visceral, eschatological, urgent) that the reading and writing of those poems seem to have on the characters who read them. Thus, a Close Reading exercise is proposed in which the vicissitudes surrounding García Madero are exhibited, in dialogue with other moments in the narrative and poetry of Bolaño himself, as an allegory of the poet as a living body, of which It will emanate a poetry also alive. El trabajo describe y analiza la consistencia intensamente corpórea que cobra la presencia de la poesía, en la primera parte de la novela Los detectives salvajes, del escritor Roberto Bolaño, a partir de tres ejes: la escenificación del falso diario del joven poeta García Madero, en el que se replican escenas también ocurrentes en la poesía que Bolaño escribía para la época, en un registro, por el contrario, vitalizado. Segundo, la temática aludida de los poemas que él junto a sus colegas realvisceralistas escriben, y, por último, el efecto (visceral, escatológico, urgente) que la lectura y la escritura de esos poemas parecen tener en los personajes que los leen. Así, se propone un ejercicio de Close Reading en el que se exhiben las peripecias alrededor de García Madero, en diálogo con otros momentos de la narrativa y de la poesía del mismo Bolaño, en su calidad de alegoría del poeta como cuerpo viviente, del cual emanará una poesía también viva. Universidad Nacional del Litoral 2020-10-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9693 10.14409/tb.v1i12.9693 El Taco en la Brea; Vol. 2 Núm. 12 (2020): El taco en la brea El Taco en la Brea; Vol. 2 No. 12 (2020): El taco en la brea 2362-4191 10.14409/tb.v1i12 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9693/12971 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9693/12972 Derechos de autor 2020 El Taco en la Brea
institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic diary
poetry
body
Roberto Bolaño
Los detectives salvajes
diario
poesía
cuerpo
Roberto Bolaño
Los detectives salvajes
spellingShingle diary
poetry
body
Roberto Bolaño
Los detectives salvajes
diario
poesía
cuerpo
Roberto Bolaño
Los detectives salvajes
Benavides, Oriele
Forms, Themes, Verbs: Incarnations of Poetry in Los detectives salvajes, by Roberto Bolaño
topic_facet diary
poetry
body
Roberto Bolaño
Los detectives salvajes
diario
poesía
cuerpo
Roberto Bolaño
Los detectives salvajes
author Benavides, Oriele
author_facet Benavides, Oriele
author_sort Benavides, Oriele
title Forms, Themes, Verbs: Incarnations of Poetry in Los detectives salvajes, by Roberto Bolaño
title_short Forms, Themes, Verbs: Incarnations of Poetry in Los detectives salvajes, by Roberto Bolaño
title_full Forms, Themes, Verbs: Incarnations of Poetry in Los detectives salvajes, by Roberto Bolaño
title_fullStr Forms, Themes, Verbs: Incarnations of Poetry in Los detectives salvajes, by Roberto Bolaño
title_full_unstemmed Forms, Themes, Verbs: Incarnations of Poetry in Los detectives salvajes, by Roberto Bolaño
title_sort forms, themes, verbs: incarnations of poetry in los detectives salvajes, by roberto bolaño
description The work describes and analyzes the intensely corporeal consistency that the presence of poetry charges, in the first part of the novel Los detectives salvajes, by the writer Roberto Bolaño, based on three axes: the staging of the false diary of the young poet García Madero, in which scenes also occurring in the poetry that Bolaño wrote for the time are replicated, in a register, on the contrary, vitalized. Second, the subject matter of the poems that he and his realvisceralist colleagues write, and, finally, the effect (visceral, eschatological, urgent) that the reading and writing of those poems seem to have on the characters who read them. Thus, a Close Reading exercise is proposed in which the vicissitudes surrounding García Madero are exhibited, in dialogue with other moments in the narrative and poetry of Bolaño himself, as an allegory of the poet as a living body, of which It will emanate a poetry also alive.
publisher Universidad Nacional del Litoral
publishDate 2020
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9693
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