Projective spaces: footnotes to read Greco

This article proposes to investigate the contemporary Argentine visual poetry taking as anchoring the paper support. We reflect on the support as a volume where the words organize the surface of the composition. From the tactile property of paper we review the forms that are inscribed in it along wi...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: La Rocca, Paula
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2020
Materias:
Alberto Greco
Vivo-Dito
visual poetry
aesthetic supports
poesía visual
soportes estéticos
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9158
Aporte de:
Biblioteca Virtual - Publicaciones (UNL) de Universidad Nacional del Litoral
id I26-R133-article-9158
record_format ojs
spelling I26-R133-article-91582020-06-10T16:32:02Z Projective spaces: footnotes to read Greco Espacios proyectivos: notas para leer a Greco La Rocca, Paula Alberto Greco Vivo-Dito visual poetry aesthetic supports Alberto Greco Vivo-Dito poesía visual soportes estéticos This article proposes to investigate the contemporary Argentine visual poetry taking as anchoring the paper support. We reflect on the support as a volume where the words organize the surface of the composition. From the tactile property of paper we review the forms that are inscribed in it along with a certain resistance characteristic of matter and its relation to a specific mode of historical production. To think about the plasticity of this imaginary space we propose to review the work of Alberto Greco. Particularly the production that surrounds the Gran Manifiesto-Rollo del arte Vivo-Dito, which found, in the paper roll, the singularity of a journey of the word both plastic and collective. Contemporary forms that are still committed to the paperwork propose to read knots loaded with history, survivals that work in the folds of the support. If the space of the sheet is perceived as the place where the images grow, they repeat themselves, they deform; visual poetry - its transit between image and writing, between letter and line, between suture and composition - proposes to add to the surface a temporary deviation that folds the complexity of historical time over the word. Este artículo se propone indagar la poesía visual argentina contemporánea tomando como lugar de anclaje el soporte de papel. Reflexionamos sobre el soporte en tanto volumen donde las palabras organizan la superficie de la composición. Desde la propiedad táctil del papel revisamos las formas que en él se inscriben junto a cierta resistencia propia de la materia y su relación con un modo específico de producción histórica. Para pensar la plasticidad de este espacio imagístico nos proponemos revisar la obra de Alberto Greco. Particularmente la producción que rodea al Gran Manifiesto–Rollo del arte Vivo-Dito, la cual encontró, en el rollo de papel, la singularidad de un recorrido de la palabra a la vez plástico y colectivo. Las formas contemporáneas que apuestan por el trabajo sobre papel proponen leer nudos cargados de historia, sobrevivencias que funcionan en los pliegues del soporte. Si el espacio de la hoja se percibe como el lugar en donde las imágenes crecen, se repiten, se deforman; la poesía visual —su tránsito entre imagen y escritura, entre letra y línea, entre sutura y composición— propone agregar a la superficie un desvío temporal que pliega sobre la palabra la complejidad del tiempo histórico. Universidad Nacional del Litoral 2020-05-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9158 10.14409/tb.v1i11.9158 El Taco en la Brea; Vol. 1 Núm. 11 (2020): El taco en la brea El Taco en la Brea; Vol. 1 No. 11 (2020): El taco en la brea 2362-4191 10.14409/tb.v1i11 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9158/12526 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9158/12527 Derechos de autor 2020 El Taco en la Brea
institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic Alberto Greco
Vivo-Dito
visual poetry
aesthetic supports
Alberto Greco
Vivo-Dito
poesía visual
soportes estéticos
spellingShingle Alberto Greco
Vivo-Dito
visual poetry
aesthetic supports
Alberto Greco
Vivo-Dito
poesía visual
soportes estéticos
La Rocca, Paula
Projective spaces: footnotes to read Greco
topic_facet Alberto Greco
Vivo-Dito
visual poetry
aesthetic supports
Alberto Greco
Vivo-Dito
poesía visual
soportes estéticos
author La Rocca, Paula
author_facet La Rocca, Paula
author_sort La Rocca, Paula
title Projective spaces: footnotes to read Greco
title_short Projective spaces: footnotes to read Greco
title_full Projective spaces: footnotes to read Greco
title_fullStr Projective spaces: footnotes to read Greco
title_full_unstemmed Projective spaces: footnotes to read Greco
title_sort projective spaces: footnotes to read greco
description This article proposes to investigate the contemporary Argentine visual poetry taking as anchoring the paper support. We reflect on the support as a volume where the words organize the surface of the composition. From the tactile property of paper we review the forms that are inscribed in it along with a certain resistance characteristic of matter and its relation to a specific mode of historical production. To think about the plasticity of this imaginary space we propose to review the work of Alberto Greco. Particularly the production that surrounds the Gran Manifiesto-Rollo del arte Vivo-Dito, which found, in the paper roll, the singularity of a journey of the word both plastic and collective. Contemporary forms that are still committed to the paperwork propose to read knots loaded with history, survivals that work in the folds of the support. If the space of the sheet is perceived as the place where the images grow, they repeat themselves, they deform; visual poetry - its transit between image and writing, between letter and line, between suture and composition - proposes to add to the surface a temporary deviation that folds the complexity of historical time over the word.
publisher Universidad Nacional del Litoral
publishDate 2020
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9158
work_keys_str_mv AT laroccapaula projectivespacesfootnotestoreadgreco
AT laroccapaula espaciosproyectivosnotasparaleeragreco
first_indexed 2023-07-05T23:18:54Z
last_indexed 2023-07-05T23:18:54Z
_version_ 1770624525910671360

Ejemplares similares