Hacia un sujeto intransitivo.: Philip Seymour Hoffman, par exemple, la obra belga de Rafael Spregelburd (2017)
The issue of the subject makes reference to the impasse of the concept in contemporary philosophy, even to its elimination. There are different positions, however, that consider that it is still there, but that it is not the same subject. Without doubt, it is no longer a source of truth or guarantee...
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Universidad Nacional del Litoral
2019
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I26-R133-article-81912019-06-03T15:43:20Z Hacia un sujeto intransitivo.: Philip Seymour Hoffman, par exemple, la obra belga de Rafael Spregelburd (2017) Towards an intransitive subject.: Philip Seymour Hoffman, par exemple, the Rafael Spregelburd’s Belgian work (2017) Rodríguez Carranza, Luz subject truth identity fiction Rafael Spregelburd sujeto verdad identidad ficción Rafael Spregelburd The issue of the subject makes reference to the impasse of the concept in contemporary philosophy, even to its elimination. There are different positions, however, that consider that it is still there, but that it is not the same subject. Without doubt, it is no longer a source of truth or guarantee of an experience, because it has ceased to be a response to diverse objects and interpellations. It is a virtual subject that does not act "for something", nor receives from something meaning or identity, and therefore is intransitive, but no less true. This essay juxtaposes Alain Badiou's most recent publications about the subject with Philip Seymour Hoffman par exemple, the Belgian work of Rafael Spregelburd, which suggests that although the subject does not believe in its or others' identities, they exist as fictions, a Belgian theme if there are any. If the fictions have no reference is because they are in themselves real, are part of the existing. Philip knows that a role he chooses to play is for him and holds in it itself its own purpose. An intransitive subject appears: true to his own act. La cuestión del sujeto hace referencia al impasse del concepto en la filosofía contemporánea, e incluso su eliminación. Hay posiciones diferentes, sin embargo, que plantean que sigue allí, pero que no se trata del mismo sujeto. Ya no es, sin duda, fuente de la verdad o garantía de una experiencia, porque ha dejado de constituirse como respuesta a objetos e interpelaciones diversos. Es un sujeto virtual que no actúa «para algo», ni recibe de ese algo significación ni identidad, pero no por eso es menos verdadero. Este trabajo yuxtapone reflexiones recientemente publicadas de Alain Badiou sobre el sujeto a Philip Seymour Hoffman, por ejemplo (2017) la obra belga de Rafael Spregelburd, que sugiere que aunque el sujeto no crea en identidades suyas o ajenas, ellas existen como ficciones, tema belga si los hay. Si las ficciones no tienen referente es porque son en sí mismas reales, forman parte de lo existente. Philip sabe que un papel que elige desempeñar es para él, porque encierra en sí mismo su propio propósito. Aparece así un sujeto intransitivo: fiel a su propio acto. Universidad Nacional del Litoral 2019-05-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/8191 10.14409/tb.v1i9.8191 El Taco en la Brea; Vol. 1 Núm. 9 (2019): El taco en la brea; 77-85 El Taco en la Brea; Vol. 1 No. 9 (2019): El taco en la brea; 77-85 2362-4191 10.14409/tb.v1i9 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/8191/11694 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/8191/11695 Derechos de autor 2019 El Taco en la Brea |
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Universidad Nacional del Litoral |
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I-26 |
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R-133 |
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Biblioteca Virtual - Publicaciones (UNL) |
language |
Español |
format |
Artículo revista |
topic |
subject truth identity fiction Rafael Spregelburd sujeto verdad identidad ficción Rafael Spregelburd |
spellingShingle |
subject truth identity fiction Rafael Spregelburd sujeto verdad identidad ficción Rafael Spregelburd Rodríguez Carranza, Luz Hacia un sujeto intransitivo.: Philip Seymour Hoffman, par exemple, la obra belga de Rafael Spregelburd (2017) |
topic_facet |
subject truth identity fiction Rafael Spregelburd sujeto verdad identidad ficción Rafael Spregelburd |
author |
Rodríguez Carranza, Luz |
author_facet |
Rodríguez Carranza, Luz |
author_sort |
Rodríguez Carranza, Luz |
title |
Hacia un sujeto intransitivo.: Philip Seymour Hoffman, par exemple, la obra belga de Rafael Spregelburd (2017) |
title_short |
Hacia un sujeto intransitivo.: Philip Seymour Hoffman, par exemple, la obra belga de Rafael Spregelburd (2017) |
title_full |
Hacia un sujeto intransitivo.: Philip Seymour Hoffman, par exemple, la obra belga de Rafael Spregelburd (2017) |
title_fullStr |
Hacia un sujeto intransitivo.: Philip Seymour Hoffman, par exemple, la obra belga de Rafael Spregelburd (2017) |
title_full_unstemmed |
Hacia un sujeto intransitivo.: Philip Seymour Hoffman, par exemple, la obra belga de Rafael Spregelburd (2017) |
title_sort |
hacia un sujeto intransitivo.: philip seymour hoffman, par exemple, la obra belga de rafael spregelburd (2017) |
description |
The issue of the subject makes reference to the impasse of the concept in contemporary philosophy, even to its elimination. There are different positions, however, that consider that it is still there, but that it is not the same subject. Without doubt, it is no longer a source of truth or guarantee of an experience, because it has ceased to be a response to diverse objects and interpellations. It is a virtual subject that does not act "for something", nor receives from something meaning or identity, and therefore is intransitive, but no less true. This essay juxtaposes Alain Badiou's most recent publications about the subject with Philip Seymour Hoffman par exemple, the Belgian work of Rafael Spregelburd, which suggests that although the subject does not believe in its or others' identities, they exist as fictions, a Belgian theme if there are any. If the fictions have no reference is because they are in themselves real, are part of the existing. Philip knows that a role he chooses to play is for him and holds in it itself its own purpose. An intransitive subject appears: true to his own act. |
publisher |
Universidad Nacional del Litoral |
publishDate |
2019 |
url |
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/8191 |
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first_indexed |
2023-07-05T23:18:43Z |
last_indexed |
2023-07-05T23:18:43Z |
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