Zalo Reyes: la rearticulación de la balada desde el estudio de grabación y la performance

This article deals with the figure of the chilean singer Zalo Reyes, trying to unveil the variables that install him as a true idol of the lower working class and certainly, as a star coming from «the romantic song» that manages to reactivate record industry after the military coup through high sale...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Araya Alfaro, Sergio
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2025
Materias:
industry
performance
recording studio
industria
perfomance
estudio de grabación
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/article/view/14486
Aporte de:
Biblioteca Virtual - Publicaciones (UNL) de Universidad Nacional del Litoral
id I26-R133-article-14486
record_format ojs
spelling I26-R133-article-144862025-09-26T17:37:43Z Zalo Reyes: la rearticulación de la balada desde el estudio de grabación y la performance Zalo Reyes: reshaping the ballad from the recording studio and performance Araya Alfaro, Sergio industry performance recording studio industria perfomance estudio de grabación This article deals with the figure of the chilean singer Zalo Reyes, trying to unveil the variables that install him as a true idol of the lower working class and certainly, as a star coming from «the romantic song» that manages to reactivate record industry after the military coup through high sales volumes, entering into controlled television, spreading the so-called «bad taste» which became a «guilty pleasure». This article also analyzes the sound of Zalo Reyes’ first stage, since his early years until the arrival of the new century, when he gets away from the mass–media to build the character he finally became and his music was performed by younger musicians.  Besides, the text —through different views created around the figure of Zalo Reyes— links the earlier times when Reyes was very popular with the most recent ones, when both music production and listening have changed in many ways, although that has not negatively impacted the singer´s popularity one year after his death. Finally, the article looks into the figure of the idol by emphasizing some aspects of music production, specifically those related to live or unplugged albums that never were recorded, giving rise to a kind of open work that must be completed by the listeners according to the contents available on digital platforms, even those not official. El presente artículo aborda la figura del cantante chileno Zalo Reyes e intenta develar las variables que lo instalan como un auténtico ídolo de los estratos populares y, por cierto, como una estrella desde la canción romántica que logra reactivar la industria discográfica con posterioridad al golpe militar por medio de altos volúmenes de venta, adentrándose en una televisión controlada, masificando el denominado «mal gusto» y transformándolo en «placer culpable».   De igual forma, realiza un análisis del sonido de su primera etapa —el que lo catapulta a un público masivo— hasta la llegada del nuevo siglo, cuando se aleja de los mass–media para construir el personaje en el que finalmente se transforma y su música es revisitada por diversas bandas jóvenes.  Junto con ello, el texto —a partir de las diferentes lecturas que proporciona la figura del cantante— vincula los tiempos de mayor exposición y popularidad con los actuales, donde tanto los modos de producción como consumo de música han mutado, no significando ello un impacto negativo en su popularidad, a un año de su muerte. Finalmente, el artículo interpela la figura del ídolo al enfatizar ciertos aspectos desde la producción discográfica a pesar de la popularidad del cantante, en lo relacionado con grabaciones en vivo, dando pie a una suerte de obra abierta que debe ser completada por el auditor de acuerdo a los contenidos disponibles en las plataformas digitales.  Universidad Nacional del Litoral 2025-07-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/zip https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/article/view/14486 10.14409/rism.2025.27.e0085 Revista del ISM; Vol. 1 No. 27 (2025): Revista del Instituto Superior de Música; e0085 Revista del ISM; Vol. 1 Núm. 27 (2025): Revista del Instituto Superior de Música; e0085 2362-3322 1666-7603 10.14409/rism.2025.27 es https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/article/view/14486/20299 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/article/view/14486/20325 Derechos de autor 2025 Sergio Araya Alfaro https://creativecommons.org/licenses/by/4.0
institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic industry
performance
recording studio
industria
perfomance
estudio de grabación
spellingShingle industry
performance
recording studio
industria
perfomance
estudio de grabación
Araya Alfaro, Sergio
Zalo Reyes: la rearticulación de la balada desde el estudio de grabación y la performance
topic_facet industry
performance
recording studio
industria
perfomance
estudio de grabación
author Araya Alfaro, Sergio
author_facet Araya Alfaro, Sergio
author_sort Araya Alfaro, Sergio
title Zalo Reyes: la rearticulación de la balada desde el estudio de grabación y la performance
title_short Zalo Reyes: la rearticulación de la balada desde el estudio de grabación y la performance
title_full Zalo Reyes: la rearticulación de la balada desde el estudio de grabación y la performance
title_fullStr Zalo Reyes: la rearticulación de la balada desde el estudio de grabación y la performance
title_full_unstemmed Zalo Reyes: la rearticulación de la balada desde el estudio de grabación y la performance
title_sort zalo reyes: la rearticulación de la balada desde el estudio de grabación y la performance
description This article deals with the figure of the chilean singer Zalo Reyes, trying to unveil the variables that install him as a true idol of the lower working class and certainly, as a star coming from «the romantic song» that manages to reactivate record industry after the military coup through high sales volumes, entering into controlled television, spreading the so-called «bad taste» which became a «guilty pleasure». This article also analyzes the sound of Zalo Reyes’ first stage, since his early years until the arrival of the new century, when he gets away from the mass–media to build the character he finally became and his music was performed by younger musicians.  Besides, the text —through different views created around the figure of Zalo Reyes— links the earlier times when Reyes was very popular with the most recent ones, when both music production and listening have changed in many ways, although that has not negatively impacted the singer´s popularity one year after his death. Finally, the article looks into the figure of the idol by emphasizing some aspects of music production, specifically those related to live or unplugged albums that never were recorded, giving rise to a kind of open work that must be completed by the listeners according to the contents available on digital platforms, even those not official.
publisher Universidad Nacional del Litoral
publishDate 2025
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/article/view/14486
work_keys_str_mv AT arayaalfarosergio zaloreyeslarearticulaciondelabaladadesdeelestudiodegrabacionylaperformance
AT arayaalfarosergio zaloreyesreshapingtheballadfromtherecordingstudioandperformance
first_indexed 2025-09-15T05:02:27Z
last_indexed 2025-10-15T05:01:23Z
_version_ 1846022749829464064

Ejemplares similares