A girl runs among horses: Essaying an affective and territorial analysis of Las Mil y Una (2020)

Over the last decade and a half, Argentine national filmography has been flooded with formal, critical and conceptual explorations carried out by projects that ex-plore varied horizons from peripheral places of enuncia-tion. The construction of regional subjects and spaces in cinema becomes more com...

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Detalles Bibliográficos
Autor principal: Compagnucci, Ana Paula
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2024
Materias:
cinema
regionalism
Clarisa Navas
neighborhoodocracy
gender
cine
regionalismo
vecinocracia
género
democracia do bairro
gênero
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/13774
Aporte de:
Biblioteca Virtual - Publicaciones (UNL) de Universidad Nacional del Litoral
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institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic cinema
regionalism
Clarisa Navas
neighborhoodocracy
gender
cine
regionalismo
Clarisa Navas
vecinocracia
género
cinema
regionalismo
Clarisa Navas
democracia do bairro
gênero
spellingShingle cinema
regionalism
Clarisa Navas
neighborhoodocracy
gender
cine
regionalismo
Clarisa Navas
vecinocracia
género
cinema
regionalismo
Clarisa Navas
democracia do bairro
gênero
Compagnucci, Ana Paula
A girl runs among horses: Essaying an affective and territorial analysis of Las Mil y Una (2020)
topic_facet cinema
regionalism
Clarisa Navas
neighborhoodocracy
gender
cine
regionalismo
Clarisa Navas
vecinocracia
género
cinema
regionalismo
Clarisa Navas
democracia do bairro
gênero
author Compagnucci, Ana Paula
author_facet Compagnucci, Ana Paula
author_sort Compagnucci, Ana Paula
title A girl runs among horses: Essaying an affective and territorial analysis of Las Mil y Una (2020)
title_short A girl runs among horses: Essaying an affective and territorial analysis of Las Mil y Una (2020)
title_full A girl runs among horses: Essaying an affective and territorial analysis of Las Mil y Una (2020)
title_fullStr A girl runs among horses: Essaying an affective and territorial analysis of Las Mil y Una (2020)
title_full_unstemmed A girl runs among horses: Essaying an affective and territorial analysis of Las Mil y Una (2020)
title_sort girl runs among horses: essaying an affective and territorial analysis of las mil y una (2020)
description Over the last decade and a half, Argentine national filmography has been flooded with formal, critical and conceptual explorations carried out by projects that ex-plore varied horizons from peripheral places of enuncia-tion. The construction of regional subjects and spaces in cinema becomes more complex when a greater number of directors from non-Buenos Aires provinces emerge, putting in tension the hegemonic values of metropolitan culture. That is to say, the appearance of territorialized discourses enables us to think that the experiences of those who inhabit a territory are impregnated in their works, at the same time that they provide a world, die-gesis, socio-historical foundation and a system of social relations of reference. This makes it possible to imagine that territories —previously absent— are inscribed in culture, when they generate a map of characteristics and ways of being for social, cultural and academic fields.Las Mil y Una (2020), the second film by Clarisa Navas —a filmmaker from Corrientes— continues the line of Hoy Partido a las Tres (2017) by constructing a story that takes place in the Argentine litoral, a region where she is originally from, with characters—from non–central regions— that defy the logics of gender binarism. This film stages the social role of women, the problems of the LGBTQI+ community, the logic of pu-blic and private life strained by hypermediatizations, the displacement of popular neighborhoods to the outskirts of big cities and the logics of the neighborhood ocracy, among others; with a deep social criticism, love for the subjects it (re)presents and transversalized by a strong territorial warp.
publisher Universidad Nacional del Litoral
publishDate 2024
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/13774
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first_indexed 2025-02-05T23:06:08Z
last_indexed 2025-02-05T23:06:08Z
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spelling I26-R133-article-137742024-12-30T15:16:22Z A girl runs among horses: Essaying an affective and territorial analysis of Las Mil y Una (2020) Uma garota corre entre cavalos: Ensaiando uma análise afetiva e territorial de Las Mil y Una (2020) Una muchacha corre entre caballos: Ensayando un análisis afectivo y territorial de Las Mil y Una (2020) Compagnucci, Ana Paula cinema regionalism Clarisa Navas neighborhoodocracy gender cine regionalismo Clarisa Navas vecinocracia género cinema regionalismo Clarisa Navas democracia do bairro gênero Over the last decade and a half, Argentine national filmography has been flooded with formal, critical and conceptual explorations carried out by projects that ex-plore varied horizons from peripheral places of enuncia-tion. The construction of regional subjects and spaces in cinema becomes more complex when a greater number of directors from non-Buenos Aires provinces emerge, putting in tension the hegemonic values of metropolitan culture. That is to say, the appearance of territorialized discourses enables us to think that the experiences of those who inhabit a territory are impregnated in their works, at the same time that they provide a world, die-gesis, socio-historical foundation and a system of social relations of reference. This makes it possible to imagine that territories —previously absent— are inscribed in culture, when they generate a map of characteristics and ways of being for social, cultural and academic fields.Las Mil y Una (2020), the second film by Clarisa Navas —a filmmaker from Corrientes— continues the line of Hoy Partido a las Tres (2017) by constructing a story that takes place in the Argentine litoral, a region where she is originally from, with characters—from non–central regions— that defy the logics of gender binarism. This film stages the social role of women, the problems of the LGBTQI+ community, the logic of pu-blic and private life strained by hypermediatizations, the displacement of popular neighborhoods to the outskirts of big cities and the logics of the neighborhood ocracy, among others; with a deep social criticism, love for the subjects it (re)presents and transversalized by a strong territorial warp. Na última década e meia, a filmografia nacional ar-gentina foi inundada por explorações formais, críticas e conceituais realizadas por projetos que exploram horizontes variados, a partir de lugares periféricos de enunciação. A construção de sujeitos e espaços regionais no cinema tornou-se mais complexa quando surgiu um número maior de diretores de outras regiões do país diferentes de Buenos Aires, colocando em tensão os valores hegemônicos da cultura metropolitana. Ou seja, o surgimento de discursos no território nos permite pensar que as experiências daqueles que vivem em um território estão impregnadas em suas obras, ao mesmo tempo em que lhes fornecem um mundo, uma diegese, uma base sócio histórica e um sistema de relações sociais de referência. Isso nos permite imaginar que territórios —antes ausentes— são inscritos na cultura, quando geram um mapa de características e modos de ser/estar para os campos social, cultural e acadêmico. Las Mil y Una (2020), o segundo filme de Clarisa-Navas, cineasta de Corrientes, continua a linha de Hoy Partido a lasTres (2017), construindo uma história que se passa na litoral argentino, a região de sua origem, com personagens —provincianos e provincianas— que desafiam as lógicas do binarismo de gênero. Este filme encena o papel social das mulheres, os problemas da comunidade LGBTQI+, a lógica da vida pública e privada sob tensão devido à hipermediatização, o deslocamento de bairros populares para as periferias das grandes cidades e as lógicas da democracia do bairro, entre outros; com uma profunda crítica social, amor pelos sujeitos que (re)apresenta e transversalizada por uma forte urdidura territorial. En la última década y media, la filmografía nacional se inunda de exploraciones formales, críticas y conceptuales realizadas por proyectos que indagan horizontes variados, desde lugares de enunciación periféricos. La construcción de sujetos y espacios provinciales en el cine se complejiza cuando emerge un mayor número de directoras y directores provenientes de provincias distintas a Buenos Aires, tensionando los valores hegemónicos de la cultura metropolitana. Es decir, la aparición de discursos territorializados nos habilita a pensar que las vivencias de quienes habitan un territorio se impregnan en sus obras, a la vez que le proporcionan mundo, diégesis, fundamento sociohistórico y un sistema de relaciones sociales de referencia. Lo que permite imaginar que se inscriben territorios —antes ausentes— en la cultura, cuando generan un mapa de características y modos de ser/estar para el campo social, cultural y académico. Las Mil y Una (2020), segunda película de Clarisa Navas—cineasta correntina— continúa la línea de Hoy Partido a las Tres (2017) al construir una historia que sucede en el litoral argentino, región de donde es originaria, con personajes —provincianos y provincianas— que desafían las lógicas del binarismo de género. Esta película pone en escena el rol social de las mujeres, las problemáticas de la comunidad LGBTQI+, la lógica de la vida pública y privada tensionada por las hipermediatizaciones, el desplazamiento de barrios populares hacia las afueras de las grandes ciudades y las lógicas de la vecinocracia, entre otras; con una profunda crítica social, amor por los sujetos que (re)presenta y transversalizada por una fuerte urdimbre territorial.   Universidad Nacional del Litoral 2024-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto application/pdf https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/13774 10.14409/culturas.2024.18.e0042 Culturas; Núm. 18 (2024): Culturas; e0042 Culturas; No. 18 (2024): Culturas; e0042 2362-5538 1515-3738 10.14409/culturas.2024.18 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/13774/19918 Derechos de autor 2024 Culturas

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