El modelo de frase 7–5–4 y 5–5–6 en las zambas carperas del folclore argentino
In general terms, the zamba carpera is associated with a style of zamba in faster time than the traditional ones, originating in the carnival «carpa» of the City of Salta and the Lerma Valley. Their music is presented in an agile rhythm and, very often, is performed instrumentally, by groups that in...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2024
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13715 |
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| Sumario: | In general terms, the zamba carpera is associated with a style of zamba in faster time than the traditional ones, originating in the carnival «carpa» of the City of Salta and the Lerma Valley. Their music is presented in an agile rhythm and, very often, is performed instrumentally, by groups that include guitar, «legüero» drum and bandoneon.
In the study of his repertoire, we found two recurring types of poetic–musical phrases, which we named the 7–5–4 and 5–5–6 model. Once identified, we wondered about its possible antecedents, and its relationship with zamba melodies, both traditional and from the Argentine folklore industry.
In this way, the work exposes, first of all, the foundations of the 7–5–4 and 5–5–6 models in relation to the melodies and lyrics of the selected zambas carperas corpus. Then, taking as reference the records of Salta from the national folklore survey of the year 1921, antecedents of the model are sought in Chilean letters, the common name of the traditional zamba of the early 20th century. Next, based on the musicological texts of Carlos Vega and Isabel Aretz, traces of the model are reviewed in transcriptions of scores from their field records in the terrain of northwest Argentina. Once the traditional background has been established, examples of the zambas model of the professional folklore industry are presented.
Finally, we reflect on the models, their historical anchoring and their importance in the contribution of musicological studies referring to Argentine folklore. |
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