Desdibujar fronteras: Las performances autobiográficas de artistas mujeres santafesinas
This work seeks to understand and explore the way inwhich contemporary artists in Santa Fe conceived theirown body as autobiography, through a link between their intimate self and social commitment, between the private/personal and the public/political. From the approach to the artists’ lives, their...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Universidad Nacional del Litoral
2024
|
| Materias: | |
| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/13585 |
| Aporte de: |
| Sumario: | This work seeks to understand and explore the way inwhich contemporary artists in Santa Fe conceived theirown body as autobiography, through a link between their intimate self and social commitment, between the private/personal and the public/political. From the approach to the artists’ lives, their trajectories and, especially, some of their works: Regurgitar/Libreta de Familia (Regurgitate/Family Notebook) (2019) by Rosana Storti, Cuando todo lo que se puede hacer es pensar que será posible (When all that can be done is to think that it will be possible) (2008) by Cintia Clara Romero and ¿Cuánto vacío puede llenar un mueble? (How much emptiness can a piece of furniture fill?) (2022) by Ariana Beilis, it is analyzed how the bodies in the autobiographical performances of women artists from Santa Fe embody the diffuse plots between the private/intimate and the public/political. |
|---|