Organología. Visibilidad, técnica y cultura

Until a few decades ago, organology was considered only as the systematized study of musical instruments in terms of the history of their design and construction, the forms of execution in relation to their acoustic characteristics and their order within various classification systems.  In...

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Autor principal: Brianza, Alejandro
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2023
Materias:
Technology
musical instruments
society
Tecnología
instrumentos musicales
sociedad
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13358
Aporte de:
Biblioteca Virtual - Publicaciones (UNL) de Universidad Nacional del Litoral
id I26-R133-article-13358
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spelling I26-R133-article-133582024-09-02T22:24:53Z Organología. Visibilidad, técnica y cultura Organology. Visibility, technique and culture Brianza, Alejandro Technology musical instruments society Tecnología instrumentos musicales sociedad Until a few decades ago, organology was considered only as the systematized study of musical instruments in terms of the history of their design and construction, the forms of execution in relation to their acoustic characteristics and their order within various classification systems.  In recent years, however, a new conception of organology that is much more permeable to other extra–musical variables related to the contexts in which musical instruments are inscribed has gained strength. Thanks to the deepening in this direction, valuable information is now known about a diversity of characteristics that even allows us to rethink current and past instruments, in relation to their interpretation and function within their own culture.  This article starts from a historical perspective on organology that we could call traditional and that has been gradually embracing the incorporation of the social practices that cross the discipline, proposing then a reading through the concepts of visibility, technique and culture, as possible complementary lenses to go towards the understanding of the complex dialectical relationship that exists between art, technology and society. Hasta hace unas pocas décadas, la organología era tenida en cuenta solamente como el estudio sistematizado de los instrumentos musicales en lo referido a la historia de su diseño y construcción, a las formas de ejecución en relación con sus características acústicas y a su orden al interior de diversos sistemas clasificatorios.  En los últimos años, sin embargo, ha tomado fuerza una nueva concepción de organología que es mucho más permeable a otras variables extra musicales relativas a los contextos en los cuales los instrumentos musicales se inscriben. Gracias a la profundización en esta dirección se conoce, hoy por hoy, valiosa información sobre una diversidad de características que incluso permite repensar a los instrumentos actuales y pasados, en relación con su interpretación y función dentro de su propia cultura.  Este artículo parte de una perspectiva histórica sobre la organología que podríamos denominar tradicional y que ha ido poco a poco abrazando la incorporación de las prácticas sociales que atraviesan a la disciplina, proponiendo luego una lectura a través de los conceptos de visibilidad, técnica y cultura, como posibles lentes complementarios para avanzar en la comprensión la compleja relación dialéctica que existe entre arte, tecnología y sociedad.  Universidad Nacional del Litoral 2023-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/zip https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13358 10.14409/rism.2023.24.e0052 Revista del ISM; Núm. 24 (2023): Revista del Instituto Superior de Música; e0052 Revista del ISM; No. 24 (2023): Revista del Instituto Superior de Música; e0052 2362-3322 1666-7603 10.14409/rism.2023.24 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13358/18717 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13358/18719 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13358/18718 Derechos de autor 2023 Revista del ISM
institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic Technology
musical instruments
society
Tecnología
instrumentos musicales
sociedad
spellingShingle Technology
musical instruments
society
Tecnología
instrumentos musicales
sociedad
Brianza, Alejandro
Organología. Visibilidad, técnica y cultura
topic_facet Technology
musical instruments
society
Tecnología
instrumentos musicales
sociedad
author Brianza, Alejandro
author_facet Brianza, Alejandro
author_sort Brianza, Alejandro
title Organología. Visibilidad, técnica y cultura
title_short Organología. Visibilidad, técnica y cultura
title_full Organología. Visibilidad, técnica y cultura
title_fullStr Organología. Visibilidad, técnica y cultura
title_full_unstemmed Organología. Visibilidad, técnica y cultura
title_sort organología. visibilidad, técnica y cultura
description Until a few decades ago, organology was considered only as the systematized study of musical instruments in terms of the history of their design and construction, the forms of execution in relation to their acoustic characteristics and their order within various classification systems.  In recent years, however, a new conception of organology that is much more permeable to other extra–musical variables related to the contexts in which musical instruments are inscribed has gained strength. Thanks to the deepening in this direction, valuable information is now known about a diversity of characteristics that even allows us to rethink current and past instruments, in relation to their interpretation and function within their own culture.  This article starts from a historical perspective on organology that we could call traditional and that has been gradually embracing the incorporation of the social practices that cross the discipline, proposing then a reading through the concepts of visibility, technique and culture, as possible complementary lenses to go towards the understanding of the complex dialectical relationship that exists between art, technology and society.
publisher Universidad Nacional del Litoral
publishDate 2023
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13358
work_keys_str_mv AT brianzaalejandro organologiavisibilidadtecnicaycultura
AT brianzaalejandro organologyvisibilitytechniqueandculture
first_indexed 2024-08-13T20:37:12Z
last_indexed 2024-09-04T02:30:12Z
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