«Agitando pañuelos»: Zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino

Through love songs, people learn to make their feelings understandable, to thematize erotic-affective relationships, to identify the different forms that love narratives can take, and to manage the loss of our objects of desire. In the discursive universe of folklore, the zamba has functioned as a d...

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Autor principal: Díaz, Natalia Elisa
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2023
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Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13345
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spelling I26-R133-article-133452024-09-02T22:24:53Z «Agitando pañuelos»: Zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino «Waving handkerchief»: Zamba, «musicals affordances» and configuration of love in the field of argentine folklore Díaz, Natalia Elisa Zamba Musical affordances Love Zamba Affordances musicales Amor Through love songs, people learn to make their feelings understandable, to thematize erotic-affective relationships, to identify the different forms that love narratives can take, and to manage the loss of our objects of desire. In the discursive universe of folklore, the zamba has functioned as a device for the transmission and social storage of romantic/passionate love culture and heterosexual couple relationships. To analyze the forms of love that the zamba shapes, we will focus on the possibilities of use that this discourse offers us for emotional experience, based on the interactions between materials (lyrics, music, and choreography), usage conventions, and social agents. Thinking about the connections between zamba and love through the «affordances of music» allows us to identify the meanings that have been deposited onto the zamba, the narratives, subject positions, and experiences of love that have been excluded from this enunciative device, to understand love as a «restored behavior,» and to propose a queer path for the zamba that enables dissidents to access affective repertoires that allow them to be constituted as loved, desired, and remembered subjects. A través de las canciones de amor las personas aprendemos a hacer comprensibles los sentimientos, a tematizar los vínculos erótico-afectivos, a identificar las diversas modalidades que pueden asumir los relatos de amor y a gestionar la pérdida de nuestros objetos de deseo. Dentro del universo discursivo del folklore, la zamba ha funcionado como un dispositivo de transmisión y almacenamiento social de la cultura del amor romántico/pasional y de las relaciones de pareja heterosexuales. Para analizar las formas de amor que modela la zamba, nos focalizaremos en las posibilidades de uso que nos ofrece este discurso para la experiencia emocional, a partir de las interacciones entre materiales (letra, música y coreografía), convenciones de uso y agentes sociales. Pensar las vinculaciones entre zamba y amor desde las «affordances de la música», nos permite identificar los sentidos que se han depositado sobre la zamba; los relatos, posiciones de sujeto y experiencias del amor que han sido excluidas de este dispositivo de enunciación; comprender al amor como una «conducta restaurada» y proponer un camino cuir de la zamba que posibilite a las disidencias acceder a repertorios afectivos que les permitan constituirse como sujetos amados, deseados y recordados. Universidad Nacional del Litoral 2023-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/zip https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13345 10.14409/rism.2023.24.e0041 Revista del ISM; Núm. 24 (2023): Revista del Instituto Superior de Música; e0041 Revista del ISM; No. 24 (2023): Revista del Instituto Superior de Música; e0041 2362-3322 1666-7603 10.14409/rism.2023.24 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13345/18678 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13345/18680 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13345/18679 Derechos de autor 2023 Revista del ISM
institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic Zamba
Musical affordances
Love
Zamba
Affordances musicales
Amor
spellingShingle Zamba
Musical affordances
Love
Zamba
Affordances musicales
Amor
Díaz, Natalia Elisa
«Agitando pañuelos»: Zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino
topic_facet Zamba
Musical affordances
Love
Zamba
Affordances musicales
Amor
author Díaz, Natalia Elisa
author_facet Díaz, Natalia Elisa
author_sort Díaz, Natalia Elisa
title «Agitando pañuelos»: Zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino
title_short «Agitando pañuelos»: Zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino
title_full «Agitando pañuelos»: Zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino
title_fullStr «Agitando pañuelos»: Zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino
title_full_unstemmed «Agitando pañuelos»: Zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino
title_sort «agitando pañuelos»: zamba, «affordances musicales» y configuraciones del amor en el campo del folklore argentino
description Through love songs, people learn to make their feelings understandable, to thematize erotic-affective relationships, to identify the different forms that love narratives can take, and to manage the loss of our objects of desire. In the discursive universe of folklore, the zamba has functioned as a device for the transmission and social storage of romantic/passionate love culture and heterosexual couple relationships. To analyze the forms of love that the zamba shapes, we will focus on the possibilities of use that this discourse offers us for emotional experience, based on the interactions between materials (lyrics, music, and choreography), usage conventions, and social agents. Thinking about the connections between zamba and love through the «affordances of music» allows us to identify the meanings that have been deposited onto the zamba, the narratives, subject positions, and experiences of love that have been excluded from this enunciative device, to understand love as a «restored behavior,» and to propose a queer path for the zamba that enables dissidents to access affective repertoires that allow them to be constituted as loved, desired, and remembered subjects.
publisher Universidad Nacional del Litoral
publishDate 2023
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/13345
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first_indexed 2024-08-13T20:37:09Z
last_indexed 2024-09-04T02:30:09Z
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