Elementos indígenas en la música de Alberto Villalpando. Análisis del Concierto Triple para Saxofón Alto, Violín, Piano y Orquesta
On this research we analyzed Alberto Villalpando’s Concierto Triple para Saxofón Alto, Violín, Piano y Orquesta in order to define the elements of native music from the Bolivian Andes area, and insofar, to understand the working of these within the piece. First, we defined and characterized the cent...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2023
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/12841 |
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| Sumario: | On this research we analyzed Alberto Villalpando’s Concierto Triple para Saxofón Alto, Violín, Piano y Orquesta in order to define the elements of native music from the Bolivian Andes area, and insofar, to understand the working of these within the piece. First, we defined and characterized the central elements of native music from the area of Bolivian Andes. For this purpose, we searched into published papers concerning this issue. Then, we analyzed the score with the use of Dante Grela’s methodology, adapting it to our purposes and having into account only the pertinent aspects of the methodology to the music that we are working with. Finally, we made a comparative analysis between the results of the score analysis and the compiled material related to the native music. With this research, we have achieved on the one hand, to clearly characterize the musical elements coming from the native music of Bolivian Andes, and on the other, we could understand how the composer takes these melodic and textural elements in order to emulate them with the orchestra and sometimes to take them out of the original musical context, and pull them into transformation and development. With all this, Alberto Villalpando achieves a coherent musical speech, in which native musical elements and traditional music elements from the XX century coexist harmoniously. |
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