Invocaciones cercadas : Análisis de tres obras expuestas por una escultora cordobesa en 1989
In the following text I will explore three sculptures by the Argentine artist MarthaBersano (1952-), exhibited in the solo exhibition entitled La mujer en el arte:esculturas de Martha Bersano, held at the Centro Multinacional de la Mujer,from the Universidad Nacional de Córdoba, in the city of Córdo...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2024
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/12684 |
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| Sumario: | In the following text I will explore three sculptures by the Argentine artist MarthaBersano (1952-), exhibited in the solo exhibition entitled La mujer en el arte:esculturas de Martha Bersano, held at the Centro Multinacional de la Mujer,from the Universidad Nacional de Córdoba, in the city of Córdoba in 1989. Oneof them was entitled Cerco (Cerco I), made in 1983 prior to Raúl Alfonsín’spresidential inauguration. The other two, El Cerco IV and Innovaciones, werecreated during the volatile election year of 1989, in which political and economicuncertainty encouraged social unrest, hastening the transfer of the presidencyfrom Alfonsín to Menem. I infer that these three sculptures may haverepresented cries, chokings, pleas, as a possible artistic response to thesituation in 1983, and later in 1989, the year of the aforementioned exhibition. |
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