Narrativa barroca: teatralidad devocional a La Virgen de la Caridad en Chiapas, México
The present article exposes some of the historical and social conditions which took part in the emergence and expansion of baroque art over the seventeenth Century in Europe. It aims at showing the features of an artistic conception that developed both in Europe and all over the Spanish colonies of...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2022
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/12326 |
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I26-R133-article-123262022-12-28T11:50:35Z Narrativa barroca: teatralidad devocional a La Virgen de la Caridad en Chiapas, México Baroque narrative: devotional theatricality of Virgen de la Caridad in Chiapas, Mexico Gil Corredor, Claudia Adelaida baroque dramatism staging sculpture corporal memory narrative barroco escenificación escultura memoria corporal narrativa barroco encenação escultura memoria corporal narrativa The present article exposes some of the historical and social conditions which took part in the emergence and expansion of baroque art over the seventeenth Century in Europe. It aims at showing the features of an artistic conception that developed both in Europe and all over the Spanish colonies of America and, still observable today in different regions of Mexico. Through the particular case of what occurs around the cult of La Virgen de la Caridad in the city of San Cristóbal de las Casas, in Southeast Mexico, it is aimed to expose how the arts of performance from baroque origins constituted a scenic culture in the indigenous and half–blood population of this region. A theatrical culture that takes part in the staging of living and from which new narratives have been shaped to bring out to scene their people’s social existence. Este artigo expõe algumas das condições históricas e sociais que levaram ao surgimento e expansão da arte barroca perante o século XVII europeu. O artigo objetiva mostrar as caraterísticas de uma concepção artística que se desenvolveu tanto na Europa quanto nas colônias espanholas da América e, que ainda hoje, ressalta em diferentes regiões do México. Através da análise do culto a Nossa Senhora da Caridade em San Cristóbal de Las Casas, —no sudeste do México— procura–se expor como as artes de representação de origem barroca constituíram uma cultura cênica na população mestiça e indígena desta região. Cultura teatral que faz parte da encenação do viver e da qual se desenvolveram narrativas que encenam a existência social de seus habitantes. El presente artículo expone algunas de las condiciones históricas y sociales que hicieron parte del surgimiento y expansión del arte barroco durante el siglo XVII europeo. La intención es mostrar los rasgos de una concepción artística que se desarrolló tanto en Europa como en las colonias españolas de América y que, aún hoy, es observable en diferentes regiones de México. A través del caso particular de lo que ocurre en torno al culto a La Virgen de la Caridad en la ciudad de San Cristóbal de las Casas, al suroeste mexicano, se busca exponer cómo las artes de la representación de origen barroco constituyeron una cultura escénica en la población mestiza e indígena de esta región. Cultura teatral que hace parte de la escenificación del vivir y desde la que se han conformado narrativas que ponen en escena la existencia social de sus habitantes. Universidad Nacional del Litoral 2022-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/12326 10.14409/culturas.2022.16.e0001 Culturas; Núm. 16 (2022): Culturas; e0001 Culturas; No. 16 (2022): Culturas; e0001 2362-5538 1515-3738 10.14409/culturas.2022.16 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/12326/17018 Derechos de autor 2022 Culturas |
| institution |
Universidad Nacional del Litoral |
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I-26 |
| repository_str |
R-133 |
| container_title_str |
Biblioteca Virtual - Publicaciones (UNL) |
| language |
Español |
| format |
Artículo revista |
| topic |
baroque dramatism staging sculpture corporal memory narrative barroco escenificación escultura memoria corporal narrativa barroco encenação escultura memoria corporal narrativa |
| spellingShingle |
baroque dramatism staging sculpture corporal memory narrative barroco escenificación escultura memoria corporal narrativa barroco encenação escultura memoria corporal narrativa Gil Corredor, Claudia Adelaida Narrativa barroca: teatralidad devocional a La Virgen de la Caridad en Chiapas, México |
| topic_facet |
baroque dramatism staging sculpture corporal memory narrative barroco escenificación escultura memoria corporal narrativa barroco encenação escultura memoria corporal narrativa |
| author |
Gil Corredor, Claudia Adelaida |
| author_facet |
Gil Corredor, Claudia Adelaida |
| author_sort |
Gil Corredor, Claudia Adelaida |
| title |
Narrativa barroca: teatralidad devocional a La Virgen de la Caridad en Chiapas, México |
| title_short |
Narrativa barroca: teatralidad devocional a La Virgen de la Caridad en Chiapas, México |
| title_full |
Narrativa barroca: teatralidad devocional a La Virgen de la Caridad en Chiapas, México |
| title_fullStr |
Narrativa barroca: teatralidad devocional a La Virgen de la Caridad en Chiapas, México |
| title_full_unstemmed |
Narrativa barroca: teatralidad devocional a La Virgen de la Caridad en Chiapas, México |
| title_sort |
narrativa barroca: teatralidad devocional a la virgen de la caridad en chiapas, méxico |
| description |
The present article exposes some of the historical and social conditions which took part in the emergence and expansion of baroque art over the seventeenth Century in Europe. It aims at showing the features of an artistic conception that developed both in Europe and all over the Spanish colonies of America and, still observable today in different regions of Mexico. Through the particular case of what occurs around the cult of La Virgen de la Caridad in the city of San Cristóbal de las Casas, in Southeast Mexico, it is aimed to expose how the arts of performance from baroque origins constituted a scenic culture in the indigenous and half–blood population of this region. A theatrical culture that takes part in the staging of living and from which new narratives have been shaped to bring out to scene their people’s social existence. |
| publisher |
Universidad Nacional del Litoral |
| publishDate |
2022 |
| url |
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/12326 |
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| first_indexed |
2023-03-18T23:05:48Z |
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2023-03-18T23:05:48Z |
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