Cosmopolitismo y nación: Juguemos en el mundo de María Elena Walsh
Juguemos en el Mundo by María Elena Walsh (Bs. As. 1930–1911) was a show, two albums, a book, a film and an artistic product representative of the cosmopolitan popular culture of Argentina in the sixties. It consists of 12 songs in which national and international genres converge performed by Marí...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Universidad Nacional del Litoral
2021
|
| Materias: | |
| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11031 |
| Aporte de: |
| Sumario: | Juguemos en el Mundo by María Elena Walsh (Bs. As. 1930–1911) was a show, two albums, a book, a film and an artistic product representative of the cosmopolitan popular culture of Argentina in the sixties. It consists of 12 songs in which national and international genres converge performed by María Elena Walsh (voice), in addition to Oscar Cardozo Ocampo arrangements. We will focus on two songs from the first album: Manubrio azul and El 45. With support from the studies on popular and postpopular culture by Pablo Alabarces (2020), the aesthetic approaches on Argen tine cosmopolitan productions of Gonzalo Aguilar (2009) and the literary theory of Gerard Genette about hypertextuality (1989), we will try to understand how these are songs propose a cosmopolitan variant to musically represent Argentina in the late sixties. |
|---|