Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva

flesh to bone (2013) is a collection of nine short stories written by Chicana author ire'ne lara silva. These stories delve into some of the most popular Mexican folk-tales and depict a landscape where everyt...

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Detalles Bibliográficos
Autor principal:	Marrazzo, Gabriela Belén
Formato:	Text documento de conferencia
Lenguaje:	Inglés
Publicado:	Universidad Nacional del Comahue. Facultad de Lenguas 2019
Materias:	Literatura del Caribe
Acceso en línea:	https://bibliotecadelenguas.uncoma.edu.ar/items/show/461 https://bibliotecadelenguas.uncoma.edu.ar/files/original/313cfb4e235834d551174e9cd6f89b51.pdf
Aporte de:	Lenguas - Biblioteca Digital. Universidad Nacional del Comahue (UNCOMA) de Universidad Nacional del Comahue

id	I22-R137-461
record_format	dspace
spelling	I22-R137-4612025-12-09T14:41:59Z Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva Marrazzo, Gabriela Belén Literatura del Caribe <strong></strong> <p align="justify"><em>flesh to bone (</em>2013) is a collection of nine short stories written by Chicana author ire'ne lara silva. These stories delve into some of the most popular Mexican folk-tales and depict a landscape where everything is possible, the boundaries between life and death are blurred, there are shifting realities, violence, magical transformations and, ultimately, healing. Some folk-tales are widespread like La Llorona, also known as La Malinche, others are myths and stories transmitted by the author's own family. Silva has expressed her fascination with the idea of creating new myths, in ways that build on figures that resonate with other mythic figures: “I believe we have a fundamental need for myth. For stories that are larger than ourselves or our realities, for stories that speak to our culture(s), for stories that teach us something about life” (Silva 2014). In her writing process, Silva rewrites these myths from a feminist and Chicana perspective subverting the underlying patriarchal roles and the boundaries between the living and the dead. In ‘cortando las nubes or death came on horses’ the myth of La Llorona gets reconstructed, she is remembered, respected and understood. Silva manages to give this suffering woman a voice she lacks in the popular version of the horror myth. ‘cortando las nubes or death came on horses’ tells the story of a woman from the Yaqui community and her three children, Marigold, Tomás and Cempasuchil, who are brutally murdered by white colonizers and roam the earth helping indigenous communities and collecting those who die at the hands of the whites. <br />As Norma Alarcón states, “Feminism is a way of saying that nothing in patriarchy truly reflects women unless we accept distortions – mythic and historical” (189). Chicanas, and especially queer Chicanas, occupy a unique position from which they recognize these distortions. Following the ideas presented by Kate Millet, a pioneering author in contemporary feminism, a study that adopts a feminist approach to literature will analyse the patriarchal relationships between characters in the narrative. The present work is intended to analyse ire'ne lara silva’s "cortando las nubes or death came on horses"<span> </span><span>a short story from </span><em>flesh to bone</em><span> (2013) from a feminist perspective. It will be argued that, in her re-imagination of a traditional myth, the author honours and celebrates her identity as Chicana.</span></p> Universidad Nacional del Comahue. Facultad de Lenguas 2019 Text documento de conferencia <a href="http://bibliotecadelenguas.uncoma.edu.ar/items/show/461">http://bibliotecadelenguas.uncoma.edu.ar/items/show/461</a> https://bibliotecadelenguas.uncoma.edu.ar/items/show/461 https://bibliotecadelenguas.uncoma.edu.ar/files/original/313cfb4e235834d551174e9cd6f89b51.pdf Presentado en JOIN Fadel. Universidad Nacional del Comahue, General Roca, 2019 eng
institution	Universidad Nacional del Comahue
institution_str	I-22
repository_str	R-137
collection	Lenguas - Biblioteca Digital. Universidad Nacional del Comahue (UNCOMA)
language	Inglés
orig_language_str_mv	eng
topic	Literatura del Caribe
spellingShingle	Literatura del Caribe Marrazzo, Gabriela Belén Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva
topic_facet	Literatura del Caribe
description	<strong></strong> <p align="justify"><em>flesh to bone (</em>2013) is a collection of nine short stories written by Chicana author ire'ne lara silva. These stories delve into some of the most popular Mexican folk-tales and depict a landscape where everything is possible, the boundaries between life and death are blurred, there are shifting realities, violence, magical transformations and, ultimately, healing. Some folk-tales are widespread like La Llorona, also known as La Malinche, others are myths and stories transmitted by the author's own family. Silva has expressed her fascination with the idea of creating new myths, in ways that build on figures that resonate with other mythic figures: “I believe we have a fundamental need for myth. For stories that are larger than ourselves or our realities, for stories that speak to our culture(s), for stories that teach us something about life” (Silva 2014). In her writing process, Silva rewrites these myths from a feminist and Chicana perspective subverting the underlying patriarchal roles and the boundaries between the living and the dead. In ‘cortando las nubes or death came on horses’ the myth of La Llorona gets reconstructed, she is remembered, respected and understood. Silva manages to give this suffering woman a voice she lacks in the popular version of the horror myth. ‘cortando las nubes or death came on horses’ tells the story of a woman from the Yaqui community and her three children, Marigold, Tomás and Cempasuchil, who are brutally murdered by white colonizers and roam the earth helping indigenous communities and collecting those who die at the hands of the whites. <br />As Norma Alarcón states, “Feminism is a way of saying that nothing in patriarchy truly reflects women unless we accept distortions – mythic and historical” (189). Chicanas, and especially queer Chicanas, occupy a unique position from which they recognize these distortions. Following the ideas presented by Kate Millet, a pioneering author in contemporary feminism, a study that adopts a feminist approach to literature will analyse the patriarchal relationships between characters in the narrative. The present work is intended to analyse ire'ne lara silva’s "cortando las nubes or death came on horses"<span> </span><span>a short story from </span><em>flesh to bone</em><span> (2013) from a feminist perspective. It will be argued that, in her re-imagination of a traditional myth, the author honours and celebrates her identity as Chicana.</span></p>
format	Text documento de conferencia
author	Marrazzo, Gabriela Belén
author_facet	Marrazzo, Gabriela Belén
author_sort	Marrazzo, Gabriela Belén
title	Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva
title_short	Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva
title_full	Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva
title_fullStr	Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva
title_full_unstemmed	Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva
title_sort	chicano identity : the reconstruction of mexican myths by ire'ne lara silva
publisher	Universidad Nacional del Comahue. Facultad de Lenguas
publishDate	2019
url	https://bibliotecadelenguas.uncoma.edu.ar/items/show/461 https://bibliotecadelenguas.uncoma.edu.ar/files/original/313cfb4e235834d551174e9cd6f89b51.pdf
work_keys_str_mv	AT marrazzogabrielabelen chicanoidentitythereconstructionofmexicanmythsbyirenelarasilva
_version_	1851911616559316992

Chicano Identity : The Reconstruction of Mexican Myths by ire'ne lara silva

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