Swann in Love and The Kreutzer Sonata: creation and unproductiveness

We can understand)that what gives life and meaning to the space of jealousy is the figure of the jealouspersonand the dialogue withhimself, as it is pointed out by Monneyron inL'écriture de la jalousie(1997) in reference to Daniel Lagache, «le monde de la jalousie est le monde personnel du jalo...

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Autor principal: Ferranti Castellano, Malena Brenda
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Letras - Facultad de Humanidade 2023
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Acceso en línea:https://revele.uncoma.edu.ar/index.php/letras/article/view/5075
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id I22-R128-article-5075
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spelling I22-R128-article-50752024-12-09T15:14:41Z Swann in Love and The Kreutzer Sonata: creation and unproductiveness Un amor de Swann y Sonata a Kreutzer: creación e improductividad Ferranti Castellano, Malena Brenda Tolstoi Proust Celos Imaginación Improductividad Tolstoi Proust Jealously Imagination Unproductivity We can understand)that what gives life and meaning to the space of jealousy is the figure of the jealouspersonand the dialogue withhimself, as it is pointed out by Monneyron inL'écriture de la jalousie(1997) in reference to Daniel Lagache, «le monde de la jalousie est le monde personnel du jaloux» (14)[the world of jealousy is the personal world of the jealous person]ßesto no estaba en el abstract, sí en el resumen. From acomparative readingofSwann in Love(1913) by Proust andThe Kreutzer Sonata(written between 1887 and 1889) by Tolstoi,we are interested in exploring)the course of the imagination as acreator of scenes and feelings, and therefore, of the jealousy itself,inthe characters of Swann and Pozdnyshev. This process results in an empty conclusion as the truth that is enclosed in both character’s fictional storiesnever leavesthisplane:adultery isnotproven.Inthis paperwe will begin with a contextual overview of the origin of the figure of the jealous person in both works. Within the following sections we will establish links betweenunproductivityand the imaginative andthuscreative constructions of the jealous person: in the first instance, from the creation of relationships between the desired women and other people and, secondly, from thebeloved idealization (en este caso, traduje literalmente lo que está en el resumen:"la idealización amada", aunque tal vez allí el autor quiso decir "la idealización de la amada", no lo sé...), as another inventive process of the jealousperson. Finally, we Will go over/examinetherelationship between music, an important element for the characters, andunproductivity. Podemos entender que aquello que rellena y le da entidad al espacio de los celos es la figura del celoso y su diálogo consigo mismo, como señala la afirmación que Monneyron en L'écriture de la jalousie (1997) rescata de Daniel Lagache, «le monde de la jalousie est le monde personnel du jaloux» (14) [el mundo de los celos es el mundo personal del celoso]. A partir de una lectura comparada entre Un amor de Swann (1913) de Proust y Sonata a Kreutzer (escrita entre 1887 y 1889) de Tolstoi, nos interesa explorar el curso de la imaginación como creador de escenarios y de sentimientos y, por lo tanto, de los mismos celos, en los personajes de Swann y Pozdnyshev. Proceso que resulta en una conclusión vacía en tanto la verdad que se encierra en los cuadros ficticios de los personajes nunca abandona este plano: el adulterio no es comprobado. En el presente estudio, entonces, comenzaremos con un recorrido contextual del origen de la figura del celoso en ambas obras. Dentro de los siguientes apartados estableceremos lazos entre la improductividad y las construcciones imaginativas y, por lo tanto, creativas del celoso: en primera instancia, a partir de la creación de vínculos de las mujeres deseadas con otras personas y, en segundo lugar, de la idealización amada, como otro proceso inventivo del celoso. Finalmente, veremos una relación entre la música, elemento importante para los personajes de los textos estudiados, y la improductividad.   Departamento de Letras - Facultad de Humanidade 2023-12-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revele.uncoma.edu.ar/index.php/letras/article/view/5075 Language and Literature Magazine; No. 41 (2023): Revista de Lengua y Literatura Revista de Lengua y Literatura; Núm. 41 (2023): Revista de Lengua y Literatura 2408-4646 0327-1951 spa https://revele.uncoma.edu.ar/index.php/letras/article/view/5075/62027 Derechos de autor 2023 Revista de Lengua y Literatura https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional del Comahue
institution_str I-22
repository_str R-128
container_title_str Repositorio de Revistas Electrónicas REVELE (UNComahue)
language Español
format Artículo revista
topic Tolstoi
Proust
Celos
Imaginación
Improductividad
Tolstoi
Proust
Jealously
Imagination
Unproductivity
spellingShingle Tolstoi
Proust
Celos
Imaginación
Improductividad
Tolstoi
Proust
Jealously
Imagination
Unproductivity
Ferranti Castellano, Malena Brenda
Swann in Love and The Kreutzer Sonata: creation and unproductiveness
topic_facet Tolstoi
Proust
Celos
Imaginación
Improductividad
Tolstoi
Proust
Jealously
Imagination
Unproductivity
author Ferranti Castellano, Malena Brenda
author_facet Ferranti Castellano, Malena Brenda
author_sort Ferranti Castellano, Malena Brenda
title Swann in Love and The Kreutzer Sonata: creation and unproductiveness
title_short Swann in Love and The Kreutzer Sonata: creation and unproductiveness
title_full Swann in Love and The Kreutzer Sonata: creation and unproductiveness
title_fullStr Swann in Love and The Kreutzer Sonata: creation and unproductiveness
title_full_unstemmed Swann in Love and The Kreutzer Sonata: creation and unproductiveness
title_sort swann in love and the kreutzer sonata: creation and unproductiveness
description We can understand)that what gives life and meaning to the space of jealousy is the figure of the jealouspersonand the dialogue withhimself, as it is pointed out by Monneyron inL'écriture de la jalousie(1997) in reference to Daniel Lagache, «le monde de la jalousie est le monde personnel du jaloux» (14)[the world of jealousy is the personal world of the jealous person]ßesto no estaba en el abstract, sí en el resumen. From acomparative readingofSwann in Love(1913) by Proust andThe Kreutzer Sonata(written between 1887 and 1889) by Tolstoi,we are interested in exploring)the course of the imagination as acreator of scenes and feelings, and therefore, of the jealousy itself,inthe characters of Swann and Pozdnyshev. This process results in an empty conclusion as the truth that is enclosed in both character’s fictional storiesnever leavesthisplane:adultery isnotproven.Inthis paperwe will begin with a contextual overview of the origin of the figure of the jealous person in both works. Within the following sections we will establish links betweenunproductivityand the imaginative andthuscreative constructions of the jealous person: in the first instance, from the creation of relationships between the desired women and other people and, secondly, from thebeloved idealization (en este caso, traduje literalmente lo que está en el resumen:"la idealización amada", aunque tal vez allí el autor quiso decir "la idealización de la amada", no lo sé...), as another inventive process of the jealousperson. Finally, we Will go over/examinetherelationship between music, an important element for the characters, andunproductivity.
publisher Departamento de Letras - Facultad de Humanidade
publishDate 2023
url https://revele.uncoma.edu.ar/index.php/letras/article/view/5075
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first_indexed 2024-08-12T23:05:41Z
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