La condesa sangrienta with illustrations by santiago caruso

The text before us presents a controversial statute, as is the umpteenth variation on life of the ominous Countess Erzbet Bathory, who in 1600 killed more than 600 Hungarian girls in his castle.What fascinated Pizarnik as a poet, and brought her to decide to write a commentary in prose from the biog...

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Autor principal: José Amícola, José
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin 2017
Materias:
Acceso en línea:http://revele.uncoma.edu.ar/index.php/Sociales/article/view/1460
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id I22-R128-article-1460
record_format ojs
institution Universidad Nacional del Comahue
institution_str I-22
repository_str R-128
container_title_str Repositorio de Revistas Electrónicas REVELE (UNComahue)
language Español
format Artículo revista
topic Blood
Torture
Gothic Castle
Ritual
Girls
Sangre
Tortura
Castillo gótico
Ritual
Muchachas
spellingShingle Blood
Torture
Gothic Castle
Ritual
Girls
Sangre
Tortura
Castillo gótico
Ritual
Muchachas
José Amícola, José
La condesa sangrienta with illustrations by santiago caruso
topic_facet Blood
Torture
Gothic Castle
Ritual
Girls
Sangre
Tortura
Castillo gótico
Ritual
Muchachas
author José Amícola, José
author_facet José Amícola, José
author_sort José Amícola, José
title La condesa sangrienta with illustrations by santiago caruso
title_short La condesa sangrienta with illustrations by santiago caruso
title_full La condesa sangrienta with illustrations by santiago caruso
title_fullStr La condesa sangrienta with illustrations by santiago caruso
title_full_unstemmed La condesa sangrienta with illustrations by santiago caruso
title_sort la condesa sangrienta with illustrations by santiago caruso
description The text before us presents a controversial statute, as is the umpteenth variation on life of the ominous Countess Erzbet Bathory, who in 1600 killed more than 600 Hungarian girls in his castle.What fascinated Pizarnik as a poet, and brought her to decide to write a commentary in prose from the biography by Valentine Penrose is the death drive that stirs in the background of the originalstory. However, by putting the verbs in the narrative present Pizarnik boycotts the gothic tale, as a chronic concatenation, and so doing, she adds a new layer to the fragmentation of the narrative. Inthis operating mode in which the Countess torturer does not stain her hands with the blood of others, are there “chamber maids” that encourage the black magic and the intensification of torture. These obscure figures give standing to Santiago Caruso ́s intervention as illustrator for a new interpretation of the history. The illustrator does nothing but to look in the direction that the ritual shows us. The bloodshed that would bring youth and is also the theme of the illustrations give the basis for the appearance of red in the paintings that accompany the text, along with white and black, as basic colors to gauge the enormity of the history with which the lyric voice Pizarnik delights herself in a sublimated identification.
publisher Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin
publishDate 2017
url http://revele.uncoma.edu.ar/index.php/Sociales/article/view/1460
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