Cris rituels, auloi et tambourins: Paysage sonore et identités dans les Bacchantes d'Euripide

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The text of Euripides' Bacchae mentions several times ritual shouts, auloí and drums. The theater play thus creates a fictitious sound universe, a fabric of auditory references that overlaps with the music actually perceived by the audience, in the context of the first performance at the Dionys...

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Detalles Bibliográficos
Autores principales: Christodoulou, Georgios, Delattre, Charles
Formato: Artículo publishedVersion
Lenguaje:fra
Publicado: 2021
Materias:
Literatura
Tragedy
Soundscape
Fiction
Performance
Euripides
Tragédie
Paysage sonore
Euripide
Acceso en línea:https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.13090/pr.13090.pdf
Aporte de:
Memoria Académica - FaHCE (UNLP) de Universidad Nacional de La Plata
id I19-R125-Jpr13090
record_format dspace
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-125
collection Memoria Académica - FaHCE (UNLP)
language fra
orig_language_str_mv fra
topic Literatura
Tragedy
Soundscape
Fiction
Performance
Euripides
Tragédie
Paysage sonore
Fiction
Performance
Euripide
spellingShingle Literatura
Tragedy
Soundscape
Fiction
Performance
Euripides
Tragédie
Paysage sonore
Fiction
Performance
Euripide
Christodoulou, Georgios
Delattre, Charles
Cris rituels, auloi et tambourins: Paysage sonore et identités dans les Bacchantes d'Euripide
topic_facet Literatura
Tragedy
Soundscape
Fiction
Performance
Euripides
Tragédie
Paysage sonore
Fiction
Performance
Euripide
description The text of Euripides' Bacchae mentions several times ritual shouts, auloí and drums. The theater play thus creates a fictitious sound universe, a fabric of auditory references that overlaps with the music actually perceived by the audience, in the context of the first performance at the Dionysia in Athens. Our study articulates these two sonorous spaces, by analyzing in particular the role of the aulós. This instrument indeed presents an apparent contradiction: it is what gives rhythm and melody to the Athenian festival, but it is also one of the emblems of the foreign cult. We show how the configuration of the sounds in the Bacchae multiplies the sound references, and creates a soundscape where identities are mediated and reconciled.
format Artículo
Artículo
publishedVersion
author Christodoulou, Georgios
Delattre, Charles
author_facet Christodoulou, Georgios
Delattre, Charles
author_sort Christodoulou, Georgios
title Cris rituels, auloi et tambourins: Paysage sonore et identités dans les Bacchantes d'Euripide
title_short Cris rituels, auloi et tambourins: Paysage sonore et identités dans les Bacchantes d'Euripide
title_full Cris rituels, auloi et tambourins: Paysage sonore et identités dans les Bacchantes d'Euripide
title_fullStr Cris rituels, auloi et tambourins: Paysage sonore et identités dans les Bacchantes d'Euripide
title_full_unstemmed Cris rituels, auloi et tambourins: Paysage sonore et identités dans les Bacchantes d'Euripide
title_sort cris rituels, auloi et tambourins: paysage sonore et identités dans les bacchantes d'euripide
publishDate 2021
url https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.13090/pr.13090.pdf
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AT delattrecharles crisrituelsauloiettambourinspaysagesonoreetidentitesdanslesbacchantesdeuripide
AT christodoulougeorgios ritualshoutsauloianddrumssoundscapeandidentitiesineuripidesbacchae
AT delattrecharles ritualshoutsauloianddrumssoundscapeandidentitiesineuripidesbacchae
bdutipo_str Repositorios
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