Anunciando a desgraça: o conceito de áte e o coro na tragédia de Ésquilo

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The chorus in Greek tragedy has always been considered an important element of dramatic composition. Also, especially in the esquilian period, it was one of the essential parts of the representation, manifesting itself as the voice of the people who revealed and inquired the characters about the eve...

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Detalles Bibliográficos
Autor principal: Rodrigues, Marco Aurélio
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: 2020
Materias:
Lingüística
Aeschylus
Tragedy
Chorus
Ésquilo
Tragédia
Coro
Acceso en línea:https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.12080/pr.12080.pdf
Aporte de:
Memoria Académica - FaHCE (UNLP) de Universidad Nacional de La Plata
id I19-R125-Jpr12080
record_format dspace
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-125
collection Memoria Académica - FaHCE (UNLP)
language Portugués
orig_language_str_mv por
topic Lingüística
Aeschylus
Tragedy
Chorus
Ésquilo
Tragédia
Coro
spellingShingle Lingüística
Aeschylus
Tragedy
Chorus
Ésquilo
Tragédia
Coro
Rodrigues, Marco Aurélio
Anunciando a desgraça: o conceito de áte e o coro na tragédia de Ésquilo
topic_facet Lingüística
Aeschylus
Tragedy
Chorus
Ésquilo
Tragédia
Coro
description The chorus in Greek tragedy has always been considered an important element of dramatic composition. Also, especially in the esquilian period, it was one of the essential parts of the representation, manifesting itself as the voice of the people who revealed and inquired the characters about the events, the information and the situations that happened before him. In Aeschylus, particularly, the chorus plays a curious role, as it is also responsible for citing, in most instances of all the author's remaining tragedies, the concept of, whose definition ranges from a mere clouding of ideas to even the consummate misfortune itself. Thus, the present paper, supported above all by the ideas proposed by Doyle (1984), analyzes some passages in which this fact occurs and, in addition, the possible movements that make a complex notion of Greek thought appear more often in the lyrical parts of tragedies.
format Artículo
Artículo
publishedVersion
author Rodrigues, Marco Aurélio
author_facet Rodrigues, Marco Aurélio
author_sort Rodrigues, Marco Aurélio
title Anunciando a desgraça: o conceito de áte e o coro na tragédia de Ésquilo
title_short Anunciando a desgraça: o conceito de áte e o coro na tragédia de Ésquilo
title_full Anunciando a desgraça: o conceito de áte e o coro na tragédia de Ésquilo
title_fullStr Anunciando a desgraça: o conceito de áte e o coro na tragédia de Ésquilo
title_full_unstemmed Anunciando a desgraça: o conceito de áte e o coro na tragédia de Ésquilo
title_sort anunciando a desgraça: o conceito de áte e o coro na tragédia de ésquilo
publishDate 2020
url https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.12080/pr.12080.pdf
work_keys_str_mv AT rodriguesmarcoaurelio anunciandoadesgracaoconceitodeateeocoronatragediadeesquilo
bdutipo_str Repositorios
_version_ 1764820498875678720

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