Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music

From all hidden assumptions behind the models of musical meter and rhythm, the notion that all individuals understand the periodic structure of music in the same way might be the most intractable and risky one. A number of evidences show that musical cultures differ in a number of aspects including...

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Autores principales: Naveda, Luiz, Martínez, Isabel Cecilia, Damesón, Javier, Pereira Ghiena, Alejandro, Herrera, Romina, Ordás, Manuel Alejandro
Formato: Objeto de conferencia
Lenguaje:Inglés
Publicado: 2015
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Acceso en línea:http://sedici.unlp.edu.ar/handle/10915/70430
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id I19-R120-10915-70430
record_format dspace
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-120
collection SEDICI (UNLP)
language Inglés
topic Música
cross-cultural
movement
rhythm
meter
embodiment
spellingShingle Música
cross-cultural
movement
rhythm
meter
embodiment
Naveda, Luiz
Martínez, Isabel Cecilia
Damesón, Javier
Pereira Ghiena, Alejandro
Herrera, Romina
Ordás, Manuel Alejandro
Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
topic_facet Música
cross-cultural
movement
rhythm
meter
embodiment
description From all hidden assumptions behind the models of musical meter and rhythm, the notion that all individuals understand the periodic structure of music in the same way might be the most intractable and risky one. A number of evidences show that musical cultures differ in a number of aspects including cognitive priorities, musical function and relationships between music, movement and dance. From the methodological point of view, it is very difficult to describe the understanding of rhythm structures: tapping methods are limiting and biased, surveys can be too subjective and analyses of performances are ambiguous and multivariate. From the point of view of culture, cultural preferences may be subtle and comparisons between contrasting cultures might be unreliable. In this study we realize cross-cultural comparisons between free movement responses to musical cultures of samba and chacarera music, executed by Brazilian and Argentinian acculturated subjects. We use methods that track the density of kinematic events in the metrical grid at each level of the metrical structure. The results contrast to traditional models of metric structure by exposing an intrinsic diversity, variability and asymmetry of movement responses. The results also show morphological characteristics connected to cultural differences.
format Objeto de conferencia
Objeto de conferencia
author Naveda, Luiz
Martínez, Isabel Cecilia
Damesón, Javier
Pereira Ghiena, Alejandro
Herrera, Romina
Ordás, Manuel Alejandro
author_facet Naveda, Luiz
Martínez, Isabel Cecilia
Damesón, Javier
Pereira Ghiena, Alejandro
Herrera, Romina
Ordás, Manuel Alejandro
author_sort Naveda, Luiz
title Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_short Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_full Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_fullStr Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_full_unstemmed Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_sort cross-cultural differences in free body movement responses to argentinian and afro-brazilian music
publishDate 2015
url http://sedici.unlp.edu.ar/handle/10915/70430
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