Del rascacielos al rascasuelos : La casbah japonesa de Rem Koolhaas

Rem Koolhaas, as a contemporary architect, draws from the proposals which were devel-oped by the architects who reacted to the ideas formulated on the International Congresses of Modern Architecture, like the Team 10 members. Woods, along with Candilis and Josic, worked out a new type of building th...

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Detalles Bibliográficos
Autor principal: Álvarez Arce, Raquel
Formato: Articulo
Lenguaje:Español
Publicado: 2016
Materias:
Arquitectura
Japón
edificio
construcciones urbanas
vivienda colectiva
Koolhaas, Rem
housing
mat-building
Fukuoka
Acceso en línea:http://sedici.unlp.edu.ar/handle/10915/53757
http://revistas.unlp.edu.ar/Habitat/article/view/2534
Aporte de:
SEDICI (UNLP) de Universidad Nacional de La Plata
id I19-R120-10915-53757
record_format dspace
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-120
collection SEDICI (UNLP)
language Español
topic Arquitectura
Japón
edificio
construcciones urbanas
vivienda colectiva
Koolhaas, Rem
housing
mat-building
Fukuoka
spellingShingle Arquitectura
Japón
edificio
construcciones urbanas
vivienda colectiva
Koolhaas, Rem
housing
mat-building
Fukuoka
Álvarez Arce, Raquel
Del rascacielos al rascasuelos : La casbah japonesa de Rem Koolhaas
topic_facet Arquitectura
Japón
edificio
construcciones urbanas
vivienda colectiva
Koolhaas, Rem
housing
mat-building
Fukuoka
description Rem Koolhaas, as a contemporary architect, draws from the proposals which were devel-oped by the architects who reacted to the ideas formulated on the International Congresses of Modern Architecture, like the Team 10 members. Woods, along with Candilis and Josic, worked out a new type of building that he called ground-scrapper, although it is better known by the name given by Alison Smithson: the mat-building. Rem Koolhaas, in the Nexus World building in Fukuoka, propose, as he says in S,M,L, XL, a house building which is a combina-tion of Mies’s court houses and the ones in the ancient Rome, forming continuous tapestries where houses never become objects. Definitely, he proposes a mat-building. OMA’s head-master applies what he had learn with “Delirious New York” and he introduces the skyscraper features in his own ground-scrapper, redefi ning the mat-building.
format Articulo
Articulo
author Álvarez Arce, Raquel
author_facet Álvarez Arce, Raquel
author_sort Álvarez Arce, Raquel
title Del rascacielos al rascasuelos : La casbah japonesa de Rem Koolhaas
title_short Del rascacielos al rascasuelos : La casbah japonesa de Rem Koolhaas
title_full Del rascacielos al rascasuelos : La casbah japonesa de Rem Koolhaas
title_fullStr Del rascacielos al rascasuelos : La casbah japonesa de Rem Koolhaas
title_full_unstemmed Del rascacielos al rascasuelos : La casbah japonesa de Rem Koolhaas
title_sort del rascacielos al rascasuelos : la casbah japonesa de rem koolhaas
publishDate 2016
url http://sedici.unlp.edu.ar/handle/10915/53757
http://revistas.unlp.edu.ar/Habitat/article/view/2534
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bdutipo_str Repositorios
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