A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity
This work combines the Doctoral Thesis of Dr. Mg. Industrial Designer Ibar Federico Anderson (UNLP) called "The Argentine Belle Époque. Art, domestic architecture and furniture design applied to bourgeois interior decoration (1860-1936)", defended in 2014 at the National University of La P...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Articulo Preprint |
| Lenguaje: | Inglés |
| Publicado: |
2024
|
| Materias: | |
| Acceso en línea: | http://sedici.unlp.edu.ar/handle/10915/174457 |
| Aporte de: |
| Sumario: | This work combines the Doctoral Thesis of Dr. Mg. Industrial Designer Ibar Federico Anderson (UNLP) called "The Argentine Belle Époque. Art, domestic architecture and furniture design applied to bourgeois interior decoration (1860-1936)", defended in 2014 at the National University of La Plata; with the Master's Thesis of the University of Palermo by the Architect Gastón Eduardo Girod (UBA) called "The construction of Argentine Creole furniture. Country chairs from San Antonio de Areco, Province of Buenos Aires, in the period 1990-2021", defended in 2023. It seeks to develop a new Theoretical Framework for what will be the Doctoral Thesis at the University of Palermo by Mg. Architect Gastón Girod; whose title is "The incorporation of traditional artisan techniques in the design of contemporary Argentine furniture, period 2000-2023". Two previous works have already been written in 2022 in co-authorship in the ArtyHum magazine. This work emphasizes the publication “The Argentine Creole chair. A study of the most relevant typologies of 'sitting' furniture (urban-rural) in the Argentine Republic” (ArtyHum No. 84). |
|---|