A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity

This work combines the Doctoral Thesis of Dr. Mg. Industrial Designer Ibar Federico Anderson (UNLP) called "The Argentine Belle Époque. Art, domestic architecture and furniture design applied to bourgeois interior decoration (1860-1936)", defended in 2014 at the National University of La P...

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Detalles Bibliográficos
Autores principales: Anderson, Ibar Federico, Girod, Gastón Eduardo
Formato: Articulo Preprint
Lenguaje:Inglés
Publicado: 2024
Materias:
Diseño Industrial
History
Theoretical Framework
Chairs
Design
Premodernity
Modernity
Postmodernity
Acceso en línea:http://sedici.unlp.edu.ar/handle/10915/174457
Aporte de:
SEDICI (UNLP) de Universidad Nacional de La Plata
id I19-R120-10915-174457
record_format dspace
spelling I19-R120-10915-1744572024-12-06T04:10:30Z http://sedici.unlp.edu.ar/handle/10915/174457 A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity Anderson, Ibar Federico Girod, Gastón Eduardo 2024-12-02 2024-12-04T17:33:53Z en Diseño Industrial History Theoretical Framework Chairs Design Premodernity Modernity Postmodernity This work combines the Doctoral Thesis of Dr. Mg. Industrial Designer Ibar Federico Anderson (UNLP) called "The Argentine Belle Époque. Art, domestic architecture and furniture design applied to bourgeois interior decoration (1860-1936)", defended in 2014 at the National University of La Plata; with the Master's Thesis of the University of Palermo by the Architect Gastón Eduardo Girod (UBA) called "The construction of Argentine Creole furniture. Country chairs from San Antonio de Areco, Province of Buenos Aires, in the period 1990-2021", defended in 2023. It seeks to develop a new Theoretical Framework for what will be the Doctoral Thesis at the University of Palermo by Mg. Architect Gastón Girod; whose title is "The incorporation of traditional artisan techniques in the design of contemporary Argentine furniture, period 2000-2023". Two previous works have already been written in 2022 in co-authorship in the ArtyHum magazine. This work emphasizes the publication “The Argentine Creole chair. A study of the most relevant typologies of 'sitting' furniture (urban-rural) in the Argentine Republic” (ArtyHum No. 84). Este trabajo combina la Tesis de Doctorado del Dr. Mg. Diseñador Industrial Ibar Federico Anderson (UNLP) denominada “La Belle Époque argentina. Arte, arquitectura doméstica y diseño de muebles aplicados a la decoración de interiores burguesa (1860-1936)”, defendida en el año 2014 en la Universidad Nacional de La Plata; con la Tesis de Maestría de la Universidad de Palermo del Arquitecto Gastón Eduardo Girod (UBA) denominada “La construcción de muebles criollos argentinos. Sillas de campo de San Antonio de Areco, Provincia de Buenos Aires, en el período 1990-2021”, defendida en el año 2023. Busca elaborar un nuevo Marco Teórico para lo que será la Tesis de Doctorado en la Universidad de Palermo del Mg. Arq. Gastón Girod; cuyo título es "La incorporación de técnicas artesanales tradicionales en el diseño de mobiliario contemporáneo argentino, periodo 2000-2023". Ya se han escrito dos trabajos previos en el año 2022 en co-autoría en la revista ArtyHum. Este trabajo hace énfasis en la publicación “La silla criolla argentina. Un estudio de las tipologías más relevantes. Facultad de Artes Facutad de Diseño y Comunicación (UP) Articulo Preprint http://creativecommons.org/licenses/by/4.0/ Creative Commons Attribution 4.0 International (CC BY 4.0) application/pdf
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-120
collection SEDICI (UNLP)
language Inglés
topic Diseño Industrial
History
Theoretical Framework
Chairs
Design
Premodernity
Modernity
Postmodernity
spellingShingle Diseño Industrial
History
Theoretical Framework
Chairs
Design
Premodernity
Modernity
Postmodernity
Anderson, Ibar Federico
Girod, Gastón Eduardo
A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity
topic_facet Diseño Industrial
History
Theoretical Framework
Chairs
Design
Premodernity
Modernity
Postmodernity
description This work combines the Doctoral Thesis of Dr. Mg. Industrial Designer Ibar Federico Anderson (UNLP) called "The Argentine Belle Époque. Art, domestic architecture and furniture design applied to bourgeois interior decoration (1860-1936)", defended in 2014 at the National University of La Plata; with the Master's Thesis of the University of Palermo by the Architect Gastón Eduardo Girod (UBA) called "The construction of Argentine Creole furniture. Country chairs from San Antonio de Areco, Province of Buenos Aires, in the period 1990-2021", defended in 2023. It seeks to develop a new Theoretical Framework for what will be the Doctoral Thesis at the University of Palermo by Mg. Architect Gastón Girod; whose title is "The incorporation of traditional artisan techniques in the design of contemporary Argentine furniture, period 2000-2023". Two previous works have already been written in 2022 in co-authorship in the ArtyHum magazine. This work emphasizes the publication “The Argentine Creole chair. A study of the most relevant typologies of 'sitting' furniture (urban-rural) in the Argentine Republic” (ArtyHum No. 84).
format Articulo
Preprint
author Anderson, Ibar Federico
Girod, Gastón Eduardo
author_facet Anderson, Ibar Federico
Girod, Gastón Eduardo
author_sort Anderson, Ibar Federico
title A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity
title_short A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity
title_full A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity
title_fullStr A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity
title_full_unstemmed A brief history of Western cult furniture design: The chair (Part 3) : Construction of a Theoretical Framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity
title_sort brief history of western cult furniture design: the chair (part 3) : construction of a theoretical framework of the chair as a machine-tool for sitting through premodernity, modernity and postmodernity
publishDate 2024
url http://sedici.unlp.edu.ar/handle/10915/174457
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