Aural Identification of Musical Harmonic Intervals: a Teaching Innovation Proposal Based on Observational Methodology

This article showcases a study that aims to detect and analyse the difficulties experienced by students when attempting to aurally identify musical harmonic intervals while using normal strategies. Observational methodology has been used in this investigation. A sample group of 29 music theory stude...

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Autores principales: Ponsatí Ferrer, Imma, Miranda Pérez, Joaquim, Amador Guillem, Miquel, Godall Castell, Pere
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Universitat de València 2017
Acceso en línea:https://ojs.uv.es/index.php/LEEME/article/view/9858
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-021&d=article9858oai
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Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
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collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
description This article showcases a study that aims to detect and analyse the difficulties experienced by students when attempting to aurally identify musical harmonic intervals while using normal strategies. Observational methodology has been used in this investigation. A sample group of 29 music theory students (ranging from 11 to 15) in their first year of a six year professional course at the Music Conservatory of Girona (Spain), volunteered to be individually filmed whilst doing an aural test consisting of the harmonic intervals m3, M3, m6 and M6. Following the presentation of these harmonic intervals to the students and in accordance with the standard procedure used in the execution of this activity, they were asked several oral questions which required a spoken and/or a sung answer. By observing the types of answers they gave, it was possible to detect the exact moment when mistakes were made and the nature of these mistakes. An awareness of those most common and problematic aspects, which often impede or hinder students from being able to successfully carry out this task, has subsequently guided us through the creation of an innovative teaching proposal which we refer to as AIMHI (Aural Identification of Musical Harmonic Intervals) and which we will present at the end of this article.
format Artículo
publishedVersion
Artículo revisado por pares
Artículo
publishedVersion
Artículo revisado por pares
author Ponsatí Ferrer, Imma
Miranda Pérez, Joaquim
Amador Guillem, Miquel
Godall Castell, Pere
spellingShingle Ponsatí Ferrer, Imma
Miranda Pérez, Joaquim
Amador Guillem, Miquel
Godall Castell, Pere
Aural Identification of Musical Harmonic Intervals: a Teaching Innovation Proposal Based on Observational Methodology
author_facet Ponsatí Ferrer, Imma
Miranda Pérez, Joaquim
Amador Guillem, Miquel
Godall Castell, Pere
author_sort Ponsatí Ferrer, Imma
title Aural Identification of Musical Harmonic Intervals: a Teaching Innovation Proposal Based on Observational Methodology
title_short Aural Identification of Musical Harmonic Intervals: a Teaching Innovation Proposal Based on Observational Methodology
title_full Aural Identification of Musical Harmonic Intervals: a Teaching Innovation Proposal Based on Observational Methodology
title_fullStr Aural Identification of Musical Harmonic Intervals: a Teaching Innovation Proposal Based on Observational Methodology
title_full_unstemmed Aural Identification of Musical Harmonic Intervals: a Teaching Innovation Proposal Based on Observational Methodology
title_sort aural identification of musical harmonic intervals: a teaching innovation proposal based on observational methodology
publisher Universitat de València
publishDate 2017
url https://ojs.uv.es/index.php/LEEME/article/view/9858
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-021&d=article9858oai
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