Shared Views. The Anthropological Experience of a Photographic Exhibition

The purpose of this paper is to bring together the perspectives of anthropology, photography and the subject being photographed, as a theoretical contribution and a methodological invitation, with the scope of understanding how we anthropologists understands the other, how the other perceives th...

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Detalles Bibliográficos
Autores principales: Mejía Lara, Amiel Ernenek, Aguiar Petroni, Mariana da Costa
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Inglés
Español
Publicado: Pontificia Universidad Javeriana 2014
Materias:
Acceso en línea:http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/8307
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-019&d=article8307oai
Aporte de:
id I16-R122-article8307oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Inglés
Español
topic Photography; Ñähñu; Photographic Exhibition; Extension; Rituals
Fotografía; ñähñu; exposición fotográfica; extensión; rituales
spellingShingle Photography; Ñähñu; Photographic Exhibition; Extension; Rituals
Fotografía; ñähñu; exposición fotográfica; extensión; rituales
Mejía Lara, Amiel Ernenek
Aguiar Petroni, Mariana da Costa
Shared Views. The Anthropological Experience of a Photographic Exhibition
topic_facet Photography; Ñähñu; Photographic Exhibition; Extension; Rituals
Fotografía; ñähñu; exposición fotográfica; extensión; rituales
description The purpose of this paper is to bring together the perspectives of anthropology, photography and the subject being photographed, as a theoretical contribution and a methodological invitation, with the scope of understanding how we anthropologists understands the other, how the other perceives that understanding, how we are observed by the other, and how we perceive its understanding of us. Based on Roy Wagner’s contributions, the act of photography is presented as a moment of invention, that is, as the moment in which the contexts that are captured and made objective in the image extend. Two photographic exhibitions will thus be analysed, based on such contributions. They were carried out in the town of Alfajayucán, Hidalgo (Mexico), within the ñähñu indigenous communities in El Espíritu and San Antonio Corrales, during the months of May and June 2008, respectively. And they focus on the experiences resulting from a project on the view of the photographer-anthropologist and that of the ñähñu participants, during an anthropological investigation on cosmovision and ritual specialists.
format Artículo
publishedVersion
Artículo revisado por pares
Artículo
publishedVersion
Artículo revisado por pares
author Mejía Lara, Amiel Ernenek
Aguiar Petroni, Mariana da Costa
author_facet Mejía Lara, Amiel Ernenek
Aguiar Petroni, Mariana da Costa
author_sort Mejía Lara, Amiel Ernenek
title Shared Views. The Anthropological Experience of a Photographic Exhibition
title_short Shared Views. The Anthropological Experience of a Photographic Exhibition
title_full Shared Views. The Anthropological Experience of a Photographic Exhibition
title_fullStr Shared Views. The Anthropological Experience of a Photographic Exhibition
title_full_unstemmed Shared Views. The Anthropological Experience of a Photographic Exhibition
title_sort shared views. the anthropological experience of a photographic exhibition
publisher Pontificia Universidad Javeriana
publishDate 2014
url http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/8307
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-019&d=article8307oai
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