Reactions in New Media Art to surveillance and data control on the Net: new paradigms (2001-2010)

The perception of Internet as a space of independence and empowerment wagered for by the creative world at the end of the 20th century seems to have become, during the first decade of this century, a space subjected to extreme surveillance in which it is almost impossible to find a bastion free from...

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Detalles Bibliográficos
Autor principal: González Díaz, Paloma
Formato: Artículo publishedVersion Karpeta
Lenguaje:Español
Publicado: Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas 2014
Materias:
Acceso en línea:https://revistas.ucm.es/index.php/TEKN/article/view/48245
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-028&d=article48245oai
Aporte de:
id I16-R122-article48245oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
topic Critical art; technological control; interaction transparency; web 2.0.
cultura digital; arte digital; humanidades digitales; estudios culturales; cultura audiovisual
Arte crítico; control tecnológico; interacción; transparencia; web 2.0.
Crítico de arte; controle tecnológico; interação; transparência; web 2.0.
spellingShingle Critical art; technological control; interaction transparency; web 2.0.
cultura digital; arte digital; humanidades digitales; estudios culturales; cultura audiovisual
Arte crítico; control tecnológico; interacción; transparencia; web 2.0.
Crítico de arte; controle tecnológico; interação; transparência; web 2.0.
González Díaz, Paloma
Reactions in New Media Art to surveillance and data control on the Net: new paradigms (2001-2010)
topic_facet Critical art; technological control; interaction transparency; web 2.0.
cultura digital; arte digital; humanidades digitales; estudios culturales; cultura audiovisual
Arte crítico; control tecnológico; interacción; transparencia; web 2.0.
Crítico de arte; controle tecnológico; interação; transparência; web 2.0.
description The perception of Internet as a space of independence and empowerment wagered for by the creative world at the end of the 20th century seems to have become, during the first decade of this century, a space subjected to extreme surveillance in which it is almost impossible to find a bastion free from control. From media art, some artists and collectives started, between 2001 and 2010, to experiment with new strategies that would break throughthe technological boundaries in the hands of the establishment and managed to communicate their essence directly to the public with complete transparency. This article presents some of the most outstanding artistic projects from the field of the new media of the aforementioned period.
format Artículo
publishedVersion
Karpeta
Artículo
publishedVersion
Karpeta
author González Díaz, Paloma
author_facet González Díaz, Paloma
author_sort González Díaz, Paloma
title Reactions in New Media Art to surveillance and data control on the Net: new paradigms (2001-2010)
title_short Reactions in New Media Art to surveillance and data control on the Net: new paradigms (2001-2010)
title_full Reactions in New Media Art to surveillance and data control on the Net: new paradigms (2001-2010)
title_fullStr Reactions in New Media Art to surveillance and data control on the Net: new paradigms (2001-2010)
title_full_unstemmed Reactions in New Media Art to surveillance and data control on the Net: new paradigms (2001-2010)
title_sort reactions in new media art to surveillance and data control on the net: new paradigms (2001-2010)
publisher Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas
publishDate 2014
url https://revistas.ucm.es/index.php/TEKN/article/view/48245
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-028&d=article48245oai
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