Jaguar Curatorship, the Poetics of the Multiple. A decolonial approach in the production of the new public institutionalism

The collective and the common are categories that describe and affect art practice, the new forms of creation, and the culture of curatorship. This conversation approaches them from a shared experience, the setting in motion of a Factory of Authorless Cinema in Intermediæ, a public institution of ar...

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Detalles Bibliográficos
Autores principales: Klett, Azucena, Mediero, Zoe, Tudurí, Gerardo
Formato: Artículo publishedVersion Karpeta
Lenguaje:Español
Publicado: Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas 2013
Materias:
Acceso en línea:https://revistas.ucm.es/index.php/TEKN/article/view/48055
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-028&d=article48055oai
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id I16-R122-article48055oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
topic zone of contact; public; commons; new institutionalism rotation; curatorship; art; poetics; education; auto-ethnography; performative; decolonial
zona de contacto; público; procomún; nueva institucionalidad; curadoría; arte; poética; educación; autoetnografía; performativo; decolonial; comunidad
spellingShingle zone of contact; public; commons; new institutionalism rotation; curatorship; art; poetics; education; auto-ethnography; performative; decolonial
zona de contacto; público; procomún; nueva institucionalidad; curadoría; arte; poética; educación; autoetnografía; performativo; decolonial; comunidad
Klett, Azucena
Mediero, Zoe
Tudurí, Gerardo
Jaguar Curatorship, the Poetics of the Multiple. A decolonial approach in the production of the new public institutionalism
topic_facet zone of contact; public; commons; new institutionalism rotation; curatorship; art; poetics; education; auto-ethnography; performative; decolonial
zona de contacto; público; procomún; nueva institucionalidad; curadoría; arte; poética; educación; autoetnografía; performativo; decolonial; comunidad
description The collective and the common are categories that describe and affect art practice, the new forms of creation, and the culture of curatorship. This conversation approaches them from a shared experience, the setting in motion of a Factory of Authorless Cinema in Intermediæ, a public institution of art and culture, located in Madrid's Matadero. From an auto-ethnographic and performative standpoint, we analyse the opportunities this opens up for the production of a new cultural institution. This situated understanding of curatorship and mediation allows us to discuss the role of the political epistemology of the commons in the current redefinition of the public sphere and to propose a decolonial affecting of this notion from the standpoint of multiplicity. Public, commons, rotation and temporality become the keywords that guide this text. In the construction of the problem we see how art and culture can become a space to play out new forms of governance where, on the basis of poetic models of thought, new futures for this public space we share can be created. The question is posed by a situated curatorship and mediation, in the context of the public institution, for the composition of a temporary, variable community, in constant movement and transformation, from a decolonial vantage point, which we call jaguar.
format Artículo
publishedVersion
Karpeta
Artículo
publishedVersion
Karpeta
author Klett, Azucena
Mediero, Zoe
Tudurí, Gerardo
author_facet Klett, Azucena
Mediero, Zoe
Tudurí, Gerardo
author_sort Klett, Azucena
title Jaguar Curatorship, the Poetics of the Multiple. A decolonial approach in the production of the new public institutionalism
title_short Jaguar Curatorship, the Poetics of the Multiple. A decolonial approach in the production of the new public institutionalism
title_full Jaguar Curatorship, the Poetics of the Multiple. A decolonial approach in the production of the new public institutionalism
title_fullStr Jaguar Curatorship, the Poetics of the Multiple. A decolonial approach in the production of the new public institutionalism
title_full_unstemmed Jaguar Curatorship, the Poetics of the Multiple. A decolonial approach in the production of the new public institutionalism
title_sort jaguar curatorship, the poetics of the multiple. a decolonial approach in the production of the new public institutionalism
publisher Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas
publishDate 2013
url https://revistas.ucm.es/index.php/TEKN/article/view/48055
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-028&d=article48055oai
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