Erosion of the character category and dismantling of the formation story in El Pejesapo of José Luís Sepúlveda.

This work analyzes the representation that El pejesapo (2007) of José Luís Sepúlveda makes of the category of the marginal popular character, in the context of the so called cinema of marginalization. The thesis postulates that such rep...

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Detalles Bibliográficos
Autor principal: Canave, Carolina
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Universidad de Chile. Instituto de la Comunicación e Imagen 2013
Materias:
Acceso en línea:http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/26413
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article26413oai
Aporte de:
id I16-R122-article26413oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
topic chilean cinema; cinema of marginalization; popular character; formation story; modernity
cine chileno; cine de la marginalidad; sujeto popular; relato de formación; modernidad
spellingShingle chilean cinema; cinema of marginalization; popular character; formation story; modernity
cine chileno; cine de la marginalidad; sujeto popular; relato de formación; modernidad
Canave, Carolina
Erosion of the character category and dismantling of the formation story in El Pejesapo of José Luís Sepúlveda.
topic_facet chilean cinema; cinema of marginalization; popular character; formation story; modernity
cine chileno; cine de la marginalidad; sujeto popular; relato de formación; modernidad
description This work analyzes the representation that El pejesapo (2007) of José Luís Sepúlveda makes of the category of the marginal popular character, in the context of the so called cinema of marginalization. The thesis postulates that such representation is performed through the dismantling of the structure of the formation or learning story (bildungsroman), considered as emblematic gender of modern culture. In this way, in this cinematographic tale the central categories that sustain the discourse on modernity such as progress, rationality, character, among others, are constantly made problematic. This implies a tenacious questioning of a traditional  form of making cinema through the rescue of procedures that violate the purism of certain registers, such as the hybridization, the direct cinema and the documentary technique, which gives as a result the derogation of the “fictional pact” that we are used to, straining even more the relations between truth and fiction.
format Artículo
publishedVersion
Artículo
publishedVersion
author Canave, Carolina
author_facet Canave, Carolina
author_sort Canave, Carolina
title Erosion of the character category and dismantling of the formation story in El Pejesapo of José Luís Sepúlveda.
title_short Erosion of the character category and dismantling of the formation story in El Pejesapo of José Luís Sepúlveda.
title_full Erosion of the character category and dismantling of the formation story in El Pejesapo of José Luís Sepúlveda.
title_fullStr Erosion of the character category and dismantling of the formation story in El Pejesapo of José Luís Sepúlveda.
title_full_unstemmed Erosion of the character category and dismantling of the formation story in El Pejesapo of José Luís Sepúlveda.
title_sort erosion of the character category and dismantling of the formation story in el pejesapo of josé luís sepúlveda.
publisher Universidad de Chile. Instituto de la Comunicación e Imagen
publishDate 2013
url http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/26413
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article26413oai
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