Guillermo Cifuentes’ Video-Art: Language of Rootlessness
In Chilean transition to democracy, video cameras, formerly used by artists in their quest for social and political denunciation, have been taken by a new generation of audiovisual artists, mostly trained in colleges. Influenced by conceptualist trends, they develop a common rhetoric, different fr...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Universidad de Chile. Instituto de la Comunicación e Imagen
2010
|
| Materias: | |
| Acceso en línea: | http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/25869 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article25869oai |
| Aporte de: |
| id |
I16-R122-article25869oai |
|---|---|
| record_format |
dspace |
| institution |
Consejo Latinoamericano de Ciencias Sociales |
| institution_str |
I-16 |
| repository_str |
R-122 |
| collection |
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) |
| language |
Español |
| topic |
Guillermo Cifuentes; video art; experimental video; Chile Guillermo Cifuentes; video arte; video experimental; Chile |
| spellingShingle |
Guillermo Cifuentes; video art; experimental video; Chile Guillermo Cifuentes; video arte; video experimental; Chile Arata de Nordenflycht, Romina Guillermo Cifuentes’ Video-Art: Language of Rootlessness |
| topic_facet |
Guillermo Cifuentes; video art; experimental video; Chile Guillermo Cifuentes; video arte; video experimental; Chile |
| description |
In Chilean transition to democracy, video cameras, formerly used by artists in their quest for social and political denunciation, have been taken by a new generation of audiovisual artists, mostly trained in colleges. Influenced by conceptualist trends, they develop a common rhetoric, different from previous generation because of their experimentation of technical possibilities that this format can provide. Within this generation Guillermo Cifuentes appears as a somewhat diffuse figure, who suddenly died in 2007, not well known by public audience. This paper aims to list Cifuentes' works in video format and identify its characteristic features. W estate that, as he developed a particular language, he is an important author in Chilean art video. |
| format |
Artículo publishedVersion Artículo publishedVersion |
| author |
Arata de Nordenflycht, Romina |
| author_facet |
Arata de Nordenflycht, Romina |
| author_sort |
Arata de Nordenflycht, Romina |
| title |
Guillermo Cifuentes’ Video-Art: Language of Rootlessness |
| title_short |
Guillermo Cifuentes’ Video-Art: Language of Rootlessness |
| title_full |
Guillermo Cifuentes’ Video-Art: Language of Rootlessness |
| title_fullStr |
Guillermo Cifuentes’ Video-Art: Language of Rootlessness |
| title_full_unstemmed |
Guillermo Cifuentes’ Video-Art: Language of Rootlessness |
| title_sort |
guillermo cifuentes’ video-art: language of rootlessness |
| publisher |
Universidad de Chile. Instituto de la Comunicación e Imagen |
| publishDate |
2010 |
| url |
http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/25869 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article25869oai |
| work_keys_str_mv |
AT aratadenordenflychtromina guillermocifuentesvideoartlanguageofrootlessness AT aratadenordenflychtromina videoartedeguillermocifuentesellenguajedeldesarraigo |
| bdutipo_str |
Repositorios |
| _version_ |
1764820434207899652 |