DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS

Mostrar todas las versiones(2)

In this article, we propose to explain a situation that presents somecomplexity because it refers to different levels, all of which are givenoff to relate the work of women painters which, despite being producedin different times and contexts such geographically distant betweenthem, they share certa...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Hernández Rodríguez, María Candelaria
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Centro de Estudios Avanzados 2018
Acceso en línea:https://revistas.unc.edu.ar/index.php/contra-relatos/article/view/20134
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=ar/ar-001&d=article20134oai
Aporte de:
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
id I16-R122-article20134oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
description In this article, we propose to explain a situation that presents somecomplexity because it refers to different levels, all of which are givenoff to relate the work of women painters which, despite being producedin different times and contexts such geographically distant betweenthem, they share certain biographical circumstances. All in all, we aimto link here all the limitations that they found in their respective artisticpaths, it means, exposing their lives, something crucial in the pathtaken by each of them, from Peru in Latin America, via Canary Islandsuntil South Africa.To this purpose we find appropriate the feminist theory. Which theoryis now plural, heterogeneous, once the scheme has exceeded monolithicEurocentric, of the initial feminism new codes and change thehegemonic discourse. Opens the way for minorities in particular, weare interested in highlighting the importance of autobiography tolegitimize marginalized spaces, mostly in the domestic field. What wewant, taking into account diversity, is to meet the specific testimonyto trace the traits that unifies the experience of a Latin Americanpainter, one of the Canary Islands and Africa.
format Artículo
publishedVersion
Artículo
publishedVersion
author Hernández Rodríguez, María Candelaria
spellingShingle Hernández Rodríguez, María Candelaria
DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
author_facet Hernández Rodríguez, María Candelaria
author_sort Hernández Rodríguez, María Candelaria
title DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_short DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_full DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_fullStr DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_full_unstemmed DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_sort desde áfrica a latinoamérica: encuentro diacrónico de mujeres pintoras
publisher Centro de Estudios Avanzados
publishDate 2018
url https://revistas.unc.edu.ar/index.php/contra-relatos/article/view/20134
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=ar/ar-001&d=article20134oai
work_keys_str_mv AT hernandezrodriguezmariacandelaria desdeafricaalatinoamericaencuentrodiacronicodemujerespintoras
bdutipo_str Repositorios
_version_ 1764820433339678725

Ejemplares similares