Célia Tolentino

This essay proposes a comparative discussion of Italian and Brazilian cinemaduring the 1950s and 1960s with regard to their portrayal of the countryside.It demonstrates that this is a recurrent object of love and hate for both. Wesuggest as a preliminary hypothesis that the complexity of the treatme...

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Autor principal: Tolentino, Célia
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Lutas Sociais. ISSN 1415-854X 2015
Acceso en línea:http://revistas.pucsp.br/index.php/ls/article/view/18979
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-027&d=article18979oai
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institution Consejo Latinoamericano de Ciencias Sociales
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repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Portugués
description This essay proposes a comparative discussion of Italian and Brazilian cinemaduring the 1950s and 1960s with regard to their portrayal of the countryside.It demonstrates that this is a recurrent object of love and hate for both. Wesuggest as a preliminary hypothesis that the complexity of the treatmentgiven to rural society during these years - a period in which both countries aretrying to leave agriculture behind economically – is one of the consequences ofa factor that is common to the process of late capitalist development in bothcountries. That is the conflict between modernization and modernity and thecomplicated construction of national identities that flows from this conflict.
format Artículo
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publishedVersion
author Tolentino, Célia
spellingShingle Tolentino, Célia
Célia Tolentino
author_facet Tolentino, Célia
author_sort Tolentino, Célia
title Célia Tolentino
title_short Célia Tolentino
title_full Célia Tolentino
title_fullStr Célia Tolentino
title_full_unstemmed Célia Tolentino
title_sort célia tolentino
publisher Lutas Sociais. ISSN 1415-854X
publishDate 2015
url http://revistas.pucsp.br/index.php/ls/article/view/18979
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-027&d=article18979oai
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