Memory in the Eyes. Reflections on Images and History: Can We Define a Colombian Repertoire?

What is the relationship that images establishwith memory and history? In other words:What is the function pictures have in a particularnarration of past events and, specially,how can an image summarize this event andbe, almost, its mnemonic substitute? We wantto think of images, not only as a vehic...

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Detalles Bibliográficos
Autor principal: Merlo, Alessandra; Universidad de los Andes
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Pontificia Universidad Javeriana 2016
Materias:
image; secular icon; history; memory; Colombia
imagen; ícono secular; historia; memoria; Colombia
imagem; ícone secular; história; memória; Colômbia
Acceso en línea:http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/15671
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-019&d=article15671oai
Aporte de:
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
id I16-R122-article15671oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
topic image; secular icon; history; memory; Colombia
imagen; ícono secular; historia; memoria; Colombia
imagem; ícone secular; história; memória; Colômbia
spellingShingle image; secular icon; history; memory; Colombia
imagen; ícono secular; historia; memoria; Colombia
imagem; ícone secular; história; memória; Colômbia
Merlo, Alessandra; Universidad de los Andes
Memory in the Eyes. Reflections on Images and History: Can We Define a Colombian Repertoire?
topic_facet image; secular icon; history; memory; Colombia
imagen; ícono secular; historia; memoria; Colombia
imagem; ícone secular; história; memória; Colômbia
description What is the relationship that images establishwith memory and history? In other words:What is the function pictures have in a particularnarration of past events and, specially,how can an image summarize this event andbe, almost, its mnemonic substitute? We wantto think of images, not only as a vehicle ofknowledge and historical memory, but also of a(non-neutral) constructor of an individual andcollective look. Finally, the text aims to ask ifColombians share a specific repertoire of imagesof their recent past and, if so, question whythose images, and not any other, have prevailed.In order to do this, we critically use theconcept of secular icon applied to an exercise carried out with a group of students.
format Artículo
publishedVersion
Artículo revisado por pares
Artículo
publishedVersion
Artículo revisado por pares
author Merlo, Alessandra; Universidad de los Andes
author_facet Merlo, Alessandra; Universidad de los Andes
author_sort Merlo, Alessandra; Universidad de los Andes
title Memory in the Eyes. Reflections on Images and History: Can We Define a Colombian Repertoire?
title_short Memory in the Eyes. Reflections on Images and History: Can We Define a Colombian Repertoire?
title_full Memory in the Eyes. Reflections on Images and History: Can We Define a Colombian Repertoire?
title_fullStr Memory in the Eyes. Reflections on Images and History: Can We Define a Colombian Repertoire?
title_full_unstemmed Memory in the Eyes. Reflections on Images and History: Can We Define a Colombian Repertoire?
title_sort memory in the eyes. reflections on images and history: can we define a colombian repertoire?
publisher Pontificia Universidad Javeriana
publishDate 2016
url http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/15671
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-019&d=article15671oai
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