The Chilean 9/11: Trauma, Testimony and Liberation through Documentary Film

The article examines how historical trauma has been explored through documentary film, considering difficulties such as constituting a witness to an event which sometimes does not have any material evidence or witnesses, and which can be unavailable to its victims due to post-traumatic psychological...

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Detalles Bibliográficos
Autor principal: Larraín Pulido, Carolina
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Universidad de Chile. Instituto de la Comunicación e Imagen 2009
Materias:
Acceso en línea:http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/15013
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article15013oai
Aporte de:
id I16-R122-article15013oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
topic Chilean 9/11; historical shock; documentary cinema; audiovisual language; testimony
11 de septiembre de 1973; trauma histórico; cine documental; lenguaje audiovisual; testimonio
spellingShingle Chilean 9/11; historical shock; documentary cinema; audiovisual language; testimony
11 de septiembre de 1973; trauma histórico; cine documental; lenguaje audiovisual; testimonio
Larraín Pulido, Carolina
The Chilean 9/11: Trauma, Testimony and Liberation through Documentary Film
topic_facet Chilean 9/11; historical shock; documentary cinema; audiovisual language; testimony
11 de septiembre de 1973; trauma histórico; cine documental; lenguaje audiovisual; testimonio
description The article examines how historical trauma has been explored through documentary film, considering difficulties such as constituting a witness to an event which sometimes does not have any material evidence or witnesses, and which can be unavailable to its victims due to post-traumatic psychological mechanisms. The Chilean 9/11; trauma, testimony and liberation through documentary film looks at how films such as Santiago Alvarez's El Tigre Saltó y Mató  and Patricio Guzman's Salvador Allendeconfront the events that occurred after the Chilean Coup d' Etat in 1973, specifically analyzing the narrative structures and resources that were used to give an account of this traumatic event as well as documentary film's liberating potential.
format Artículo
publishedVersion
Artículo
publishedVersion
author Larraín Pulido, Carolina
author_facet Larraín Pulido, Carolina
author_sort Larraín Pulido, Carolina
title The Chilean 9/11: Trauma, Testimony and Liberation through Documentary Film
title_short The Chilean 9/11: Trauma, Testimony and Liberation through Documentary Film
title_full The Chilean 9/11: Trauma, Testimony and Liberation through Documentary Film
title_fullStr The Chilean 9/11: Trauma, Testimony and Liberation through Documentary Film
title_full_unstemmed The Chilean 9/11: Trauma, Testimony and Liberation through Documentary Film
title_sort chilean 9/11: trauma, testimony and liberation through documentary film
publisher Universidad de Chile. Instituto de la Comunicación e Imagen
publishDate 2009
url http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/15013
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article15013oai
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