Understanding how art museum visitors positively connect with artworks
Abstract This paper deals with the concept of consonance as it applies to the aesthetic experience of adults who visit a Fine Arts museum. Generally, when describing a visitors reaction to art, we do not talk in terms of conflict or harmony, but adopt the expression aesthetic experience. Much res...
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Formato: | Text draft Artículo |
Lenguaje: | Eng |
Publicado: |
DCSH-UAM-X, Universidad Autónoma Metropolitana, Unidad Xochimilco, Programa de Superación Académica
2012
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Materias: | |
Acceso en línea: | http://biblioteca.clacso.edu.ar/gsdl/collect/mx/mx-024/index/assoc/D7655.dir/Understanding.pdf |
Aporte de: |
id |
I16-R122-D7655 |
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record_format |
dspace |
institution |
Consejo Latinoamericano de Ciencias Sociales |
institution_str |
I-16 |
repository_str |
R-122 |
collection |
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) |
language |
Eng |
topic |
Fine arts museum Aesthetics Estética Museos de arte Artes Artistas Obras de arte |
spellingShingle |
Fine arts museum Aesthetics Estética Museos de arte Artes Artistas Obras de arte Émond, Anne-Marie - Autor/a Understanding how art museum visitors positively connect with artworks |
topic_facet |
Fine arts museum Aesthetics Estética Museos de arte Artes Artistas Obras de arte |
description |
Abstract
This paper deals with the concept of consonance as it applies to the aesthetic experience of adults who visit a Fine Arts museum. Generally, when describing a visitors reaction to art, we do not talk in terms of conflict or harmony, but adopt
the expression aesthetic experience. Much research has been conducted to describe aesthetic experience, for example, the research undertaken by Csikszentmihalyi and Robinson, 1990; Guillot, 2001; Housen, 1983). We are aware of the complexity of the term and the scope of its meaning in philosophy
Resumen
Este documento trata sobre la experiencia que viven los adultos que visitan un museo de Bellas artes. En general, cuando se describe la reacción del visitante ante el arte, no hablamos en términos de conflicto o armonía, pero adoptamos la expresión
de experiencia estética. Muchas investigaciones se han dirigido a describir la experiencia estética, por ejemplo, la investigación desarrollada por Csikszentmihalyi y Robinson (1990); Guillot (2001); Housen, 1983. Estamos conscientes de la complejidad del término y la amplitud de su significado en filosofía.
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format |
Text draft Artículo |
author |
Émond, Anne-Marie - Autor/a |
author_facet |
Émond, Anne-Marie - Autor/a |
author_sort |
Émond, Anne-Marie - Autor/a |
title |
Understanding how art museum visitors positively connect with artworks |
title_short |
Understanding how art museum visitors positively connect with artworks |
title_full |
Understanding how art museum visitors positively connect with artworks |
title_fullStr |
Understanding how art museum visitors positively connect with artworks |
title_full_unstemmed |
Understanding how art museum visitors positively connect with artworks |
title_sort |
understanding how art museum visitors positively connect with artworks |
publisher |
DCSH-UAM-X, Universidad Autónoma Metropolitana, Unidad Xochimilco, Programa de Superación Académica |
publishDate |
2012 |
url |
http://biblioteca.clacso.edu.ar/gsdl/collect/mx/mx-024/index/assoc/D7655.dir/Understanding.pdf |
work_keys_str_mv |
AT emondannemarieautora understandinghowartmuseumvisitorspositivelyconnectwithartworks |
bdutipo_str |
Repositorios |
_version_ |
1764820429807026181 |