Understanding how art museum visitors positively connect with artworks

Abstract This paper deals with the concept of consonance as it applies to the aesthetic experience of adults who visit a Fine Arts museum. Generally, when describing a visitor’s reaction to art, we do not talk in terms of conflict or harmony, but adopt the expression ‘aesthetic experience’. Much res...

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Autor principal: Émond, Anne-Marie - Autor/a
Formato: Text draft Artículo
Lenguaje:Eng
Publicado: DCSH-UAM-X, Universidad Autónoma Metropolitana, Unidad Xochimilco, Programa de Superación Académica 2012
Materias:
Acceso en línea:http://biblioteca.clacso.edu.ar/gsdl/collect/mx/mx-024/index/assoc/D7655.dir/Understanding.pdf
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id I16-R122-D7655
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Eng
topic Fine arts museum
Aesthetics
Estética
Museos de arte
Artes
Artistas
Obras de arte
spellingShingle Fine arts museum
Aesthetics
Estética
Museos de arte
Artes
Artistas
Obras de arte
Émond, Anne-Marie - Autor/a
Understanding how art museum visitors positively connect with artworks
topic_facet Fine arts museum
Aesthetics
Estética
Museos de arte
Artes
Artistas
Obras de arte
description Abstract This paper deals with the concept of consonance as it applies to the aesthetic experience of adults who visit a Fine Arts museum. Generally, when describing a visitor’s reaction to art, we do not talk in terms of conflict or harmony, but adopt the expression ‘aesthetic experience’. Much research has been conducted to describe aesthetic experience, for example, the research undertaken by Csikszentmihalyi and Robinson, 1990; Guillot, 2001; Housen, 1983). We are aware of the complexity of the term and the scope of its meaning in philosophy Resumen Este documento trata sobre la experiencia que viven los adultos que visitan un museo de Bellas artes. En general, cuando se describe la reacción del visitante ante el arte, no hablamos en términos de conflicto o armonía, pero adoptamos la expresión de “experiencia estética”. Muchas investigaciones se han dirigido a describir la experiencia estética, por ejemplo, la investigación desarrollada por Csikszentmihalyi y Robinson (1990); Guillot (2001); Housen, 1983. Estamos conscientes de la complejidad del término y la amplitud de su significado en filosofía.
format Text
draft
Artículo
author Émond, Anne-Marie - Autor/a
author_facet Émond, Anne-Marie - Autor/a
author_sort Émond, Anne-Marie - Autor/a
title Understanding how art museum visitors positively connect with artworks
title_short Understanding how art museum visitors positively connect with artworks
title_full Understanding how art museum visitors positively connect with artworks
title_fullStr Understanding how art museum visitors positively connect with artworks
title_full_unstemmed Understanding how art museum visitors positively connect with artworks
title_sort understanding how art museum visitors positively connect with artworks
publisher DCSH-UAM-X, Universidad Autónoma Metropolitana, Unidad Xochimilco, Programa de Superación Académica
publishDate 2012
url http://biblioteca.clacso.edu.ar/gsdl/collect/mx/mx-024/index/assoc/D7655.dir/Understanding.pdf
work_keys_str_mv AT emondannemarieautora understandinghowartmuseumvisitorspositivelyconnectwithartworks
bdutipo_str Repositorios
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