The tango in the first decades of the 20th century. Practices and representations in motion: Buenos Aires, Paris, Buenos Aires.

Before the World War one the tango was developing itself as a fashion in Paris: in this presentation I propose myself to review that fact as a social and cultural phenomenon, with it's actors and conflicts, it's products, practics and it's particular representations, the relation with...

Descripción completa

Detalles Bibliográficos
Autor principal: Gonzalez Velasco, Carolina
Formato: Artículo revista
Lenguaje:Español
Publicado: ISHiR/CONICET 2018
Materias:
tango
Paris
experiencias sociales
circulación
Tango
Buenos Aires
Social experiencies
Circulation
Acceso en línea:https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/858
Aporte de:
Revista Estudios del ISHIR (CONICET) de Universidad Nacional de Rosario
id I15-R239-article-858
record_format ojs
spelling I15-R239-article-8582019-03-13T01:08:13Z The tango in the first decades of the 20th century. Practices and representations in motion: Buenos Aires, Paris, Buenos Aires. El tango en las primeras décadas del siglo XX. Prácticas y representaciones en movimiento: Buenos Aires, Paris, Buenos Aires Gonzalez Velasco, Carolina tango Paris experiencias sociales circulación Tango Buenos Aires Paris Social experiencies Circulation Before the World War one the tango was developing itself as a fashion in Paris: in this presentation I propose myself to review that fact as a social and cultural phenomenon, with it's actors and conflicts, it's products, practics and it's particular representations, the relation with it's own context. I seek to inscribe that parisian experience in a agenda of social and cultural history that shows the caracteristics and the senses of the cultural products with a wide range of circulation,the social relations that are intertwined and their ways of appropriation and resignification in every context. With this in mind I recapitulate some debates about the origin of tango and how it came to Paris taking note of the actors and processes that made it posible;then, I analize the state of the city at the moment of the arrival of the tango and the particularities that the dance took to explain it's succes, it's critics and the counterpoint that it provoked with what was considered as tango porteño. Poco antes del estallido de la Primera Guerra Mundial el tango se convertía en moda en París: en esta presentación me propongo revisar ese acontecimiento como un fenómeno social y cultural en sí mismo con sus actores y conflictos, sus productos, prácticas y representaciones particulares, la relación con su propio contexto. Así, tomando distancia de los aspectos más anecdóticos o de color, busco inscribir esa experiencia parisina en una agenda de historia social y cultural que problematice las características y los sentidos de los productos culturales de amplia circulación, las relaciones sociales que los atraviesan y sus modos de apropiación y resignificación en cada contexto. Para esto, recapitulo algunos debates sobre los orígenes del tango y las versiones que indican cómo llegó a París, dando cuenta de los actores y procesos que lo hicieron posible; luego, analizo la situación de esa ciudad al momento de la llegada del tango y las peculiaridades que asumió la danza allí para explicar su éxito, sus críticas y el contrapunto que eso provocó con lo que se consideraba el tango porteño. ISHiR/CONICET 2018-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/858 10.35305/eishir.v8i22.858 Estudios del ISHiR; Vol. 8 Núm. 22 (2018): Estudios del ISHiR Estudios del ISHiR; Vol. 8 No. 22 (2018): Estudios del ISHiR 2250-4397 spa https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/858/990 Derechos de autor 2018 Estudios del ISHiR
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-239
container_title_str Revista Estudios del ISHIR (CONICET)
language Español
format Artículo revista
topic tango
Paris
experiencias sociales
circulación
Tango
Buenos Aires
Paris
Social experiencies
Circulation
spellingShingle tango
Paris
experiencias sociales
circulación
Tango
Buenos Aires
Paris
Social experiencies
Circulation
Gonzalez Velasco, Carolina
The tango in the first decades of the 20th century. Practices and representations in motion: Buenos Aires, Paris, Buenos Aires.
topic_facet tango
Paris
experiencias sociales
circulación
Tango
Buenos Aires
Paris
Social experiencies
Circulation
author Gonzalez Velasco, Carolina
author_facet Gonzalez Velasco, Carolina
author_sort Gonzalez Velasco, Carolina
title The tango in the first decades of the 20th century. Practices and representations in motion: Buenos Aires, Paris, Buenos Aires.
title_short The tango in the first decades of the 20th century. Practices and representations in motion: Buenos Aires, Paris, Buenos Aires.
title_full The tango in the first decades of the 20th century. Practices and representations in motion: Buenos Aires, Paris, Buenos Aires.
title_fullStr The tango in the first decades of the 20th century. Practices and representations in motion: Buenos Aires, Paris, Buenos Aires.
title_full_unstemmed The tango in the first decades of the 20th century. Practices and representations in motion: Buenos Aires, Paris, Buenos Aires.
title_sort tango in the first decades of the 20th century. practices and representations in motion: buenos aires, paris, buenos aires.
description Before the World War one the tango was developing itself as a fashion in Paris: in this presentation I propose myself to review that fact as a social and cultural phenomenon, with it's actors and conflicts, it's products, practics and it's particular representations, the relation with it's own context. I seek to inscribe that parisian experience in a agenda of social and cultural history that shows the caracteristics and the senses of the cultural products with a wide range of circulation,the social relations that are intertwined and their ways of appropriation and resignification in every context. With this in mind I recapitulate some debates about the origin of tango and how it came to Paris taking note of the actors and processes that made it posible;then, I analize the state of the city at the moment of the arrival of the tango and the particularities that the dance took to explain it's succes, it's critics and the counterpoint that it provoked with what was considered as tango porteño.
publisher ISHiR/CONICET
publishDate 2018
url https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/858
work_keys_str_mv AT gonzalezvelascocarolina thetangointhefirstdecadesofthe20thcenturypracticesandrepresentationsinmotionbuenosairesparisbuenosaires
AT gonzalezvelascocarolina eltangoenlasprimerasdecadasdelsigloxxpracticasyrepresentacionesenmovimientobuenosairesparisbuenosaires
AT gonzalezvelascocarolina tangointhefirstdecadesofthe20thcenturypracticesandrepresentationsinmotionbuenosairesparisbuenosaires
first_indexed 2023-06-26T22:55:15Z
last_indexed 2023-06-26T22:55:15Z
_version_ 1769807665039409152

Ejemplares similares