Bayreuth in Buenos Aires: the wagnerians and the Opera House (Argentina, 1896-1914)

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With the imperial expansion of european modernities, one of the regular topics in reflections of Buenos Aires intellectuals had to do with the state -and citizen- abilities to institutionalize and manage the spaces of culture. In this article we propose to investigate the meanings about Opera Houses...

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Autor principal: Irurzun, María Josefina
Formato: Artículo revista
Lenguaje:Español
Publicado: ISHiR/CONICET 2018
Materias:
Aficionados
Wagner
Teatros de ópera
Representaciones culturales
Buenos Aires
Music lovers
Opera houses
Cultural representations
Acceso en línea:https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/857
Aporte de:
Revista Estudios del ISHIR (CONICET) de Universidad Nacional de Rosario
id I15-R239-article-857
record_format ojs
spelling I15-R239-article-8572019-01-21T19:43:35Z Bayreuth in Buenos Aires: the wagnerians and the Opera House (Argentina, 1896-1914) Bayreuth en Buenos Aires: los wagnerianos y el Teatro de Ópera (Argentina, 1896-1914) Irurzun, María Josefina Aficionados Wagner Teatros de ópera Representaciones culturales Buenos Aires Music lovers Wagner Opera houses Cultural representations Buenos Aires With the imperial expansion of european modernities, one of the regular topics in reflections of Buenos Aires intellectuals had to do with the state -and citizen- abilities to institutionalize and manage the spaces of culture. In this article we propose to investigate the meanings about Opera Houses, created by Wagnerian fans during the first decades of 20th century. Specially, how representations of the Festspielhaus of Bayreuth afforded this group of amateurs to think about cultural management of an Opera House. It its suggests that the fanatics produced an idealized image of the Wagnerian project, or perhaps also a collective hope for the art of the future. In conclusion, further research is needed to keep on analysing the impacts of these representations. En el contexto de expansión imperial de las modernidades europeas, uno de los tópicos recurrentes en las reflexiones de los intelectuales porteños –o no–, tenía que ver con la capacidad estatal –y ciudadana– de institucionalizar y gestionar los espacios de la cultura. En este artículo nos proponemos indagar en los significados construidos en torno al Teatro de Ópera, por parte de los aficionados wagnerianos durante las primeras décadas del siglo XX; en particular, cómo las representaciones forjadas sobre el Festspielhaus de Bayreuth habilitaron a pensar la gestión cultural de un teatro de ópera. El análisis sugiere que los aficionados pusieron en circulación una imagen idealizada del proyecto wagneriano –o quizás también, una esperanza colectiva sobre el arte del futuro-. En conclusión, resulta necesario profundizar el análisis sobre los impactos de esas representaciones. ISHiR/CONICET 2018-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/857 10.35305/eishir.v8i22.857 Estudios del ISHiR; Vol. 8 Núm. 22 (2018): Estudios del ISHiR Estudios del ISHiR; Vol. 8 No. 22 (2018): Estudios del ISHiR 2250-4397 spa https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/857/991 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/857/995 Derechos de autor 2018 Estudios del ISHiR
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-239
container_title_str Revista Estudios del ISHIR (CONICET)
language Español
format Artículo revista
topic Aficionados
Wagner
Teatros de ópera
Representaciones culturales
Buenos Aires
Music lovers
Wagner
Opera houses
Cultural representations
Buenos Aires
spellingShingle Aficionados
Wagner
Teatros de ópera
Representaciones culturales
Buenos Aires
Music lovers
Wagner
Opera houses
Cultural representations
Buenos Aires
Irurzun, María Josefina
Bayreuth in Buenos Aires: the wagnerians and the Opera House (Argentina, 1896-1914)
topic_facet Aficionados
Wagner
Teatros de ópera
Representaciones culturales
Buenos Aires
Music lovers
Wagner
Opera houses
Cultural representations
Buenos Aires
author Irurzun, María Josefina
author_facet Irurzun, María Josefina
author_sort Irurzun, María Josefina
title Bayreuth in Buenos Aires: the wagnerians and the Opera House (Argentina, 1896-1914)
title_short Bayreuth in Buenos Aires: the wagnerians and the Opera House (Argentina, 1896-1914)
title_full Bayreuth in Buenos Aires: the wagnerians and the Opera House (Argentina, 1896-1914)
title_fullStr Bayreuth in Buenos Aires: the wagnerians and the Opera House (Argentina, 1896-1914)
title_full_unstemmed Bayreuth in Buenos Aires: the wagnerians and the Opera House (Argentina, 1896-1914)
title_sort bayreuth in buenos aires: the wagnerians and the opera house (argentina, 1896-1914)
description With the imperial expansion of european modernities, one of the regular topics in reflections of Buenos Aires intellectuals had to do with the state -and citizen- abilities to institutionalize and manage the spaces of culture. In this article we propose to investigate the meanings about Opera Houses, created by Wagnerian fans during the first decades of 20th century. Specially, how representations of the Festspielhaus of Bayreuth afforded this group of amateurs to think about cultural management of an Opera House. It its suggests that the fanatics produced an idealized image of the Wagnerian project, or perhaps also a collective hope for the art of the future. In conclusion, further research is needed to keep on analysing the impacts of these representations.
publisher ISHiR/CONICET
publishDate 2018
url https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/857
work_keys_str_mv AT irurzunmariajosefina bayreuthinbuenosairesthewagneriansandtheoperahouseargentina18961914
AT irurzunmariajosefina bayreuthenbuenosairesloswagnerianosyelteatrodeoperaargentina18961914
first_indexed 2023-06-26T22:55:14Z
last_indexed 2023-06-26T22:55:14Z
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